The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
Lynn Seaton has performed at festivals world wide including the Bern, Concord, JVC, Kool, Kyoto, Chicago, Nice, Elkhart, Kansas City, Montreal, Edmonton, Newport, North Sea, Perugia, West Coast, San Sebastian, Ottercrest, Topeka, Sarasota, Paradise Valley and Poori. At present, Lynn is freelancing and touring as a performer and clinician with a variety of people.
Talented, ambitious, and backstabbing hairstylists gather for a competition in England, only to find one of their own murdered before judging can begin. Winding through neon-lit halls and backstage dressing rooms, competitors unspool long-simmering resentments and secrets as they search for the killer among them, in this devilishly funny whodunit from debut filmmaker Thomas Hardiman.
The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists. In 2022, she made history by becoming the first Black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award. Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, and Moses Sumney. Her current album, Brand New Life, builds on her already rich oeuvre, and cements the harp’s place in pop culture.
The Crosstown Strictly Jazz Series, presented by Crosstown Arts in collaboration with Strictly Jazz Entertainment, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.
John Fullbright’s debut album was called “preternaturally self-assured,” while NPR said “it’s not every day a new artist earns comparisons to great songwriters like Townes Van Zandt and Randy Newman, but Fullbright’s music makes sense in such lofty company.” The Wall Street Journal crowned him as giving one of the year’s 10 best live performances, and the album also earned him a GRAMMY nomination for Best Americana Album and the ASCAP Foundation’s Harold Adamson Lyric Award.
In the attempt to pioneer a new sound while exploring his Eritrean origins, trumpeter Hermon Mehari composed an album entirely influenced by the harmonies, rhythms, and melodies of Eritrean music. However this work, "Asmara" (Komos), doesn't only come from his musical side — the songs have an emotional bent and express the different aspects of his perspectives towards his relationship with family and the culture.
The story of the album art design studio, Hipgnosis, who created some of the most iconic album covers of all time. Whether you’re a fan of Pink Floyd or not, chances are you know exactly what the album covers of The Dark Side of the Moon and Wish You Were Here look like. But you might not be familiar with the creative duo behind those iconic images: Storm Thorgerson and Aubrey “Po” Powell, aka the innovative design studio Hipgnosis.
For this performance, Ben Ricketts (piano/vocals/electronics) will be joined by the Vanishing Imaginary Orchestra, a small ensemble featuring Julia Rice (guitar), Dylan Van Zile (bass), and Kole Oakes (tapes/synthesizer/samples). This performance ensemble recreates and reimagines songs from Ricketts’ wide-ranging catalogue, bringing them to life with a mix of tight arrangements, adventurous improvisation, and expansive audio exploration. Local songwriter Rachel Maxann will be opening the show.
The Vietnamese American Community of West Tennessee, Crosstown Arts, and Crosstown Concourse are partnering to present the Mid-Autumn Festival! There will be a lion dance, a youth performance, a soccer game, a magic show, arts, crafts, and more.
