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Opening Night

Crosstown Theater

John Cassavetes’ hymn to that berserk business of performing, Opening Night is enhanced by its intense “old Hollywood” pedigree as Ben Gazzara, John Blondell, Paul Stewart and Cassavetes himself are the backing band for Rowlands’ knife-edged soloing.

Gareth Pearson (SOLD OUT)

The Green Room

Gareth Pearson is referred to as “The Welsh Tornado” which is particularly appropriate, seeing as this special talent combines fingerstyle pyrotechnics, with explosive lead runs making Pearson one of the most exciting acoustic musicians gigging today.

Mahogany Chamber Music Series: “Mahogany Magic”

Crosstown Theater

The Mahogany Chamber Music Series is a series of three chamber music concerts curated by Dr. Artina McCain, spotlighting Black and other underrepresented composers and performers.

Valerie And Her Week of Wonders

Crosstown Theater

A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires, witchcraft, and other threats in this eerie and mystical movie daydream. Valerie and Her Week of Wonders serves up an endlessly looping, nonlinear fairy tale, set in a quasi-medieval landscape.

RoSaWay

The Green Room

Vocal, flute, drums, & machines — that’s ROSAWAY: a pop-jazz band hailing from Paris. Distinctly French, somewhat theme-tune-style, and a whole lot of groovy, this duo is a blend of past and present.

Chico Pinheiro with the Ted Ludwig Trio

The Green Room

An exceptional guitarist with a beautiful sound and great fluidity, a unique composer that blends Brazilian music, classical music, and jazz, Chico's been nominated twice for the American Grammy Awards (in 2019 & 2020).

MicroCinema: Shifting Lines – New Queer Animation

Crosstown Theater

Indie Memphis and Crosstown Arts are honored to present Shifting Lines: New Queer Animation from Frameline Distribution. These six shorts traverse various styles of distinctive animation and live-action to explore relationships, family, and the development of identity in ways that are as thoughtful as they are stunning to watch.

Graber Gryass

The Green Room

Graber Gryass is an all-original, acoustic jam-grass band from Memphis, Tennessee. Take an award-winning writer, have him craft songs, and then layer in some of the regions hottest players, including a Winfield-winning banjo champion, the musical director of Public Enemy, members of such bands as Rumpke Mountain Boys, and others—and you have Gryass. This six-piece band can sing harmonies like the Mamas and the Papas, stretch out and jam like the Dead or New Grass Revival all while keeping audiences moving and inspired.

Serial Mom

Crosstown Theater

Serial Mom is a 1994 American black comedy written and directed by John Waters. Happy housewife Beverly Sutphin has a charmed life — a beautiful suburban home, a successful dentist husband, and two normal teenagers. However, when one of her son’s teachers speaks disparagingly of the boy at a parent-teacher conference, Bev runs the instructor over in the school parking lot.

Saddle Tramp with Benton Park + Jon Hay

The Green Room

Saddle Tramp, the newest dance work by choreographer Neile Martin, is inspired by the music of country singer Marty Robbins. Her driving movement style combined with the narrative styles of country music reveal a story of love, jealousy, murder, and redemption. Each performance will open with a unique performance by a Memphis musician. Come witness the wild west that is still deep in our bones.

KrisO: “A Night of R&B”

The Green Room

With a sound that can be likened to that of the ’80s and ’90s — smooth, soulful, and memorable — KrisO delivers show-stopping performances with his ‘round-the-way guy charm and notable vocal range. Performing songs from his EP “Love Levels” and notable R&B classics, KrisO is set to croon his way through the ins, outs, and various levels of love with A Night of R&B. With a mood-setting set by DJ IBJOHNDOE and vocals from Memphis natives Doll McCoy and HarleyQuinn, the night will be one to remember.

Joe Rainey

The Green Room

Joe Rainey is a Pow Wow singer. On Niineta, he demonstrates his command of the Pow Wow style, descending from Indigenous singing that’s been heard across the waters of what is now called Minnesota for centuries. Depending on the song or the pattern, his voice can celebrate or console, welcome or intimidate, wake you up with a start or lull your babies to sleep. Each note conveys a clear message, no matter the inflection: We’re still here. We were here before you were, and we never left.

1350 CONCOURSE AVE • MEMPHIS, TN • 38104 • 901.203.8300