Serial Mom is a 1994 American black comedy written and directed by John Waters. Happy housewife Beverly Sutphin has a charmed life — a beautiful suburban home, a successful dentist husband, and two normal teenagers. However, when one of her son’s teachers speaks disparagingly of the boy at a parent-teacher conference, Bev runs the instructor over in the school parking lot.
Saddle Tramp, the newest dance work by choreographer Neile Martin, is inspired by the music of country singer Marty Robbins. Her driving movement style combined with the narrative styles of country music reveal a story of love, jealousy, murder, and redemption. Each performance will open with a unique performance by a Memphis musician. Come witness the wild west that is still deep in our bones.
With a sound that can be likened to that of the ’80s and ’90s — smooth, soulful, and memorable — KrisO delivers show-stopping performances with his ‘round-the-way guy charm and notable vocal range. Performing songs from his EP “Love Levels” and notable R&B classics, KrisO is set to croon his way through the ins, outs, and various levels of love with A Night of R&B. With a mood-setting set by DJ IBJOHNDOE and vocals from Memphis natives Doll McCoy and HarleyQuinn, the night will be one to remember.
Joe Rainey is a Pow Wow singer. On Niineta, he demonstrates his command of the Pow Wow style, descending from Indigenous singing that’s been heard across the waters of what is now called Minnesota for centuries. Depending on the song or the pattern, his voice can celebrate or console, welcome or intimidate, wake you up with a start or lull your babies to sleep. Each note conveys a clear message, no matter the inflection: We’re still here. We were here before you were, and we never left.
In this one of a kind show at The Green Room, Greene and the Rolling Head Orchestra will focus on cinematic set pieces as stand-alone works. Free to stretch out over Greene's compositions, the band, featuring some of Memphis’ finest players, will bring the music to life as never before, blending jazz rhythms and horns with the haunting tones of the Theremin.
Suture is one of the most outstanding neo-noirs of the 1990s. The wealthy and self-assured Vincent (Michael Harris) meets his blue-collar half-brother Clay (Dennis Haysbert) at their father’s funeral, and is struck by their similarity. He decides to murder Clay and take his identity — only Clay survives the assassination attempt with no memory and is mistaken for Vincent.
Directed by Brian De Palma, Phantom of the Paradise satirizes both horror films and rock groups in the story of a composer of a rock cantata on the theme of Faust, who sells his soul for rock ’n’ roll. Oscar-winner Paul Williams stars and composed the superb rock musical score.
As a singer/songwriter, Rachel Maxann describes her style as vintage indie-rock and post-modern folklore. Originally from Ohio, Rachel has been deeply influenced by the music culture of every area where she has lived — North Carolina; New Orleans, Louisiana; and Memphis.
“In the same show, you’ll hear country influences, blues influences, rock and pop influences, and maybe even some musical theater,” she says.
When you think of an ambassador for jazz music today, you have got to include Paul Carr in that grouping, as his work touches all fronts including jazz education, performance and presentation.
In honor of the incredible experimental lesbian filmmaker, Barbara Hammer, Indie Memphis and Crosstown Arts are excited to bring this Tribute to Barbara Hammer for this month’s MicroCinema. A prolific filmmaker, installation artist, and pioneer of feminist and queer cinema for over 50 years, Hammer’s work consistently and relentlessly explored the intimate experiences of lesbian relationships, the erasure and censorship of queer history, and the relationship between sex, age, and the body.
Grammy-nominated organist, winner of DownBeat magazine’s 2016 rising star poll and Hot Housemagazine’s 2019 poll, Pat Bianchi has established himself as one of the premier organists on the international scene today. His command of the instrument, harmonic prowess, rhythmic intensity and versatility are rivaled by few.
2021 JUNO Award winner Jocelyn Gould has been called “a leader in the next generation of great mainstream jazz guitarists” by Howard Paul, CEO of Benedetto Guitars. Her joyful energy has captivated audiences around the world and her passion for music is as infectious as her unique ability to connect with audiences. Jocelyn has absorbed the influences of the jazz guitar greats and has woven them into an exciting personal sound, citing Wes Montgomery, Grant Green, Joe Pass and Kenny Burrell as primary influences on the guitar.
