In the attempt to pioneer a new sound while exploring his Eritrean origins, trumpeter Hermon Mehari composed an album entirely influenced by the harmonies, rhythms, and melodies of Eritrean music. However this work, "Asmara" (Komos), doesn't only come from his musical side — the songs have an emotional bent and express the different aspects of his perspectives towards his relationship with family and the culture.
The story of the album art design studio, Hipgnosis, who created some of the most iconic album covers of all time. Whether you’re a fan of Pink Floyd or not, chances are you know exactly what the album covers of The Dark Side of the Moon and Wish You Were Here look like. But you might not be familiar with the creative duo behind those iconic images: Storm Thorgerson and Aubrey “Po” Powell, aka the innovative design studio Hipgnosis.
For this performance, Ben Ricketts (piano/vocals/electronics) will be joined by the Vanishing Imaginary Orchestra, a small ensemble featuring Julia Rice (guitar), Dylan Van Zile (bass), and Kole Oakes (tapes/synthesizer/samples). This performance ensemble recreates and reimagines songs from Ricketts’ wide-ranging catalogue, bringing them to life with a mix of tight arrangements, adventurous improvisation, and expansive audio exploration. Local songwriter Rachel Maxann will be opening the show.
The Vietnamese American Community of West Tennessee, Crosstown Arts, and Crosstown Concourse are partnering to present the Mid-Autumn Festival! There will be a lion dance, a youth performance, a soccer game, a magic show, arts, crafts, and more.
The collective vision of trumpeter Marc Franklin, guitarist Joe Restivo, and vocalist John Németh has earned the ensemble favorable responses from the public and press alike. The Memphis Commercial Appeal noted the band’s immersive qualities, transporting listeners to a pivotal scene in which jazz and blues maintained influence over Memphis’ soul burgeoning sound. Writer Bob Mehr lauded the band for “re-conjuring a sound and style that was dominant in Memphis, and that would have a formative influence on the young artists who would come to stock the rosters of Stax Records and Hi Records in the decades to come.”
Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This iteration’s performance will feature jazz pianist Keiko Matsui.
Shain Shapiro launches his new book, This Must Be the Place: How Music Can Make Your City Better, in conversation with Music Export Memphis’ Elizabeth Cawein.
Crosstown Arts presents Sierra Hull on the Kemmons Wilson Family Stage at Crosstown Theater. Crosstown Theater Thursday, October 5, 2023...
Kyshona blends roots, rock, R&B, and folk with lyrical prowess. She is both a sought after collaborative vocalist working with artists like Margo Price whom she accompanied on The Late Show With Stephen Colbert, Adia Victoria who features Kyshona, Price and Jason Isbell in her single “You Was Born to Die”, and a burgeoning performer in her own right whose 2020 release Listen, was voted BEST PROTEST ALBUM of 2020 by Nashville Scene.
When a car hits young Victor’s pet dog Sparky, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked “monster” wreaks havoc and terror in the hearts of Victor’s neighbors, he has to convince them that Sparky’s still the good, loyal friend he was. Directed by Tim Burton.
In this chilling adaptation of Stephen King’s horror novel, withdrawn and sensitive teen Carrie White (Sissy Spacek) faces taunting from classmates at school and abuse from her pious mother (Piper Laurie) at home. When strange occurrences start happening around Carrie, she begins to suspect that she has supernatural powers. Invited to the prom by the empathetic Tommy Ross (William Katt), Carrie tries to let her guard down, but things eventually take a dark and violent turn. Directed by Brian DePalma.
Adam Larson is an American saxophonist, composer and author. An endorsed artist for P. Mauriat saxophones, The Boston Sax Shop and Key Leaves, Adam began playing saxophone at the age of 11. Described by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined”, by Peter Hum of the Ottawa Citizen as “a saxophonist who brings Donny McCaslin and Mark Turner to mind”, and by Nate Chinen of The New York Times as “the sort of jazz musician who gets flagged early on as a promising talent and then hustles to meet every requirement for success”, Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation.
