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“LUZ”: Amaro Dubois & David Cordoba

The Green Room

Violist Amaro Dubois and pianist David Cordoba perform music from Dubois’ new album Luz, featuring works by Florence Price, Villani-Cortes, Villa-Lobos, William Grant Still, Michael Tippet, José Elizondo, and Dimitri Cervo.

Phantom of the Paradise

Crosstown Theater

Directed by Brian De Palma, Phantom of the Paradise satirizes both horror films and rock groups in the story of a composer of a rock cantata on the theme of Faust, who sells his soul for rock ’n’ roll. Oscar-winner Paul Williams stars and composed the superb rock musical score.

Rachel Maxann with Cyrena Wages and Joe Restivo

The Green Room

As a singer/songwriter, Rachel Maxann describes her style as vintage indie-rock and post-modern folklore. Originally from Ohio, Rachel has been deeply influenced by the music culture of every area where she has lived — North Carolina; New Orleans, Louisiana; and Memphis.

“In the same show, you’ll hear country influences, blues influences, rock and pop influences, and maybe even some musical theater,” she says.

Crafts & Drafts

Crosstown Concourse 1350 Concourse Ave, Memphis, TN, United States

Local artists and makers showcase their wares during a fun afternoon of outdoor holiday shopping. Guests will browse a curated selection of handmade goods, as well as a great selection of beers and food available for purchase to stoke shopping spirits. 

Proud As Folk featuring The Black Opry Revue

The Green Room

Black Opry amplifies Black artists and builds community for Black fans of country, blues, folk, and Americana music. In honor of Pride month, this celebration of queer Black voices in roots music will feature Carmen Dianne, Josey, and Julia Cannon.

No Tears Project: Community Concerts

The Green Room

A 90-minute concert from the No Tears Project ensemble led by Christopher Parker (piano) and Kelley Hurt (voice). The band will perform the world premiere of new works written by and in collaboration with Memphis artists, including saxophonist Robert “Bobby LaVell” Garner. A new arrangement of Memphis pianist Donald Brown’s song “Poem for Martin,” written by Marc Franklin, as well as selections previously written by Oliver Lake, Parker, and Hurt, in honor of the Little Rock Nine will also be performed. Poet and spoken word artist Treasure Shields Redmond, and dancer Ashley Tate will also join the ensemble as special guests for both community concerts.

Paul Carr with the Ted Ludwig Trio

The Green Room

When you think of an ambassador for jazz music today, you have got to include Paul Carr in that grouping, as his work touches all fronts including jazz education, performance and presentation.

MicroCinema: Tribute to Barbara Hammer

Crosstown Theater

In honor of the incredible experimental lesbian filmmaker, Barbara Hammer, Indie Memphis and Crosstown Arts are excited to bring this Tribute to Barbara Hammer for this month’s MicroCinema. A prolific filmmaker, installation artist, and pioneer of feminist and queer cinema for over 50 years, Hammer’s work consistently and relentlessly explored the intimate experiences of lesbian relationships, the erasure and censorship of queer history, and the relationship between sex, age, and the body. 

Crosstown Counterpoint: Blueshift Ensemble + Evan Williams

Central Atrium

Supported by an Arts Access grant from the Tennessee Arts Commission and ArtsMemphis, Crosstown Arts presents the premiere of the commissioned work by Evan Williams, "Crosstown Counterpoint" alongside Williams' earlier works "Bodies Upon the Gears", "Amber Waves", and Terry Riley's classic minimalist bop, "In C."

Halloween lll: Season of the Witch (1982)

Crosstown Theater

The Crosstown Arts Film Series presents Halloween III: Season of the Witch with a live score by Robert Traxler, Natalie Hoffmann, and Revenge Body in collaboration with Memphis Concréte Festival at Crosstown Theater.

Darrius Strong: “The Artist”

The Green Room

“The Artist” is a solo showcase performed by artistic director/choreographer Darrius Strong, in which he touches on layers and humanity of the person behind the artist. For Strong, movement is real and it acts as a language and sometimes as a therapeutic device. Overlapped with movement phrases, “The Artist” will also showcase other routine devices he uses throughout his day that tie to the continuous work he does to heal trauma in his body — aspects of the work that are very much read, true, and relatable to the human experience for many. We are not just one-sides, but we have many layers and dimensions to our identity.

1350 CONCOURSE AVE • MEMPHIS, TN • 38104 • 901.203.8300