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Our History
RoSaWay
The Green RoomVocal, flute, drums, & machines — that’s ROSAWAY: a pop-jazz band hailing from Paris. Distinctly French, somewhat theme-tune-style, and a whole lot of groovy, this duo is a blend of past and present.
Vocal, flute, drums, & machines — that’s ROSAWAY: a pop-jazz band hailing from Paris. Distinctly French, somewhat theme-tune-style, and a whole lot of groovy, this duo is a blend of past and present.
An exceptional guitarist with a beautiful sound and great fluidity, a unique composer that blends Brazilian music, classical music, and jazz, Chico's been nominated twice for the American Grammy Awards (in 2019 & 2020).
Indie Memphis and Crosstown Arts are honored to present Shifting Lines: New Queer Animation from Frameline Distribution. These six shorts traverse various styles of distinctive animation and live-action to explore relationships, family, and the development of identity in ways that are as thoughtful as they are stunning to watch.
Graber Gryass is an all-original, acoustic jam-grass band from Memphis, Tennessee. Take an award-winning writer, have him craft songs, and then layer in some of the regions hottest players, including a Winfield-winning banjo champion, the musical director of Public Enemy, members of such bands as Rumpke Mountain Boys, and others—and you have Gryass. This six-piece band can sing harmonies like the Mamas and the Papas, stretch out and jam like the Dead or New Grass Revival all while keeping audiences moving and inspired.
Get immersed in the rich and diverse cultures found throughout the regions of Brazil — from the Amazon to Bahia, Rio and beyond, through fine art, live music, dance performances, Capoeira demonstrations, local cuisine, and so much more!
Serial Mom is a 1994 American black comedy written and directed by John Waters. Happy housewife Beverly Sutphin has a charmed life — a beautiful suburban home, a successful dentist husband, and two normal teenagers. However, when one of her son’s teachers speaks disparagingly of the boy at a parent-teacher conference, Bev runs the instructor over in the school parking lot.
Saddle Tramp, the newest dance work by choreographer Neile Martin, is inspired by the music of country singer Marty Robbins. Her driving movement style combined with the narrative styles of country music reveal a story of love, jealousy, murder, and redemption. Each performance will open with a unique performance by a Memphis musician. Come witness the wild west that is still deep in our bones.
Saddle Tramp, the newest dance work by choreographer Neile Martin, is inspired by the music of country singer Marty Robbins. Her driving movement style combined with the narrative styles of country music reveal a story of love, jealousy, murder, and redemption. Each performance will open with a unique performance by a Memphis musician. Come witness the wild west that is still deep in our bones.
Saddle Tramp, the newest dance work by choreographer Neile Martin, is inspired by the music of country singer Marty Robbins. Her driving movement style combined with the narrative styles of country music reveal a story of love, jealousy, murder, and redemption. Each performance will open with a unique performance by a Memphis musician. Come witness the wild west that is still deep in our bones.
One of the most thrilling movie epics of all time, Seven Samurai (Shichinin no samurai) tells the story of a 16th-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits.
With a sound that can be likened to that of the ’80s and ’90s — smooth, soulful, and memorable — KrisO delivers show-stopping performances with his ‘round-the-way guy charm and notable vocal range. Performing songs from his EP “Love Levels” and notable R&B classics, KrisO is set to croon his way through the ins, outs, and various levels of love with A Night of R&B. With a mood-setting set by DJ IBJOHNDOE and vocals from Memphis natives Doll McCoy and HarleyQuinn, the night will be one to remember.
Joe Rainey is a Pow Wow singer. On Niineta, he demonstrates his command of the Pow Wow style, descending from Indigenous singing that’s been heard across the waters of what is now called Minnesota for centuries. Depending on the song or the pattern, his voice can celebrate or console, welcome or intimidate, wake you up with a start or lull your babies to sleep. Each note conveys a clear message, no matter the inflection: We’re still here. We were here before you were, and we never left.
