As part of the final night of Season of Delight, Crosstown Arts and Crosstown Concourse will collaborate to screen a holiday feature in Crosstown Theater. The feature-length Die Hard will be screened for free. Theater doors open at 6 pm, and the films begin at 6:30 pm.
Ho, ho, ho here they come, come, come! The Sissy Dicks are home for the holigays, playing their first Memphis show in over a year at The Green Room at Crosstown Arts! Four-time Grammy ineligible, nationally tolerated, and locally endured, they're the queer country that no one asked for, but that your single uncle Richard definitely listens to alone in his truck after choir practice. Come on out and get your stocking absolutely stuffed at the xxxmessiest spectacle of the season and find out why The Sissy Dicks are on everyone's prayer list!
Soul/jazz/funk sax player and vocalist Hope Clayburn is on a mission to move the people. Her unique style has allowed her to perform with an eclectic mix of artists around the world, including The Temptations, The Allman Brothers Band, and Valerie June.
Hope can be found in Memphis, Tennessee, recording and performing with a variety of bands like Lucky 7 Brass Band, Frog Squad, Marcella Simien, and Obruni Dance Band. She has her own funk soul ensemble, Hope Clayburn’s Soul Scrimmage, performing her original music. Their new single and music video “Nobody” is out now on YouTube, and their new album and vinyl record Y’all So Loud is coming this December.
In January, encounter MLK Freedom Celebration, which aims to pay homage to capturing the beauty, struggle, and resilience of the Memphis community through music.
Performing original compositions inspired by the distinct imagery and characters of one of the most famous auteurs in film, Wes Anderson.
Jazz alto and sopranino saxophonist Wessell “Warmdaddy” Anderson played jazz early on at the urging of his father, who was a drummer. He played in local clubs from his early teenage years, and studied at the Jazzmobile workshops with Frank Wess, Charles Davis, and Frank Foster. He also met Branford Marsalis, who convinced him to study with Alvin Batiste at Southern University in Louisiana.
On Friday, January 26, at 7:30 pm, the multi-hyphenated artist Lawrence Matthews will perform for the first time since retiring his former stage name Don Lifted at the Overton Park Shell in 2022. Independent and sitting on an album and a half of new material, this performance features all new compositions only heard by a select few at private listening events over the last year.
Known for his performances’ visual spectacle, Matthews dials it back offering a undistracted and direct connection between himself and the audience while presenting a full-bodied reflection of the south and its unrelenting hold both spiritually and physically. The new material exists as a musical portal and a radical contemporary extension of the sampled blues, soul, and jazz artists for which Matthews finds himself kin.
Lawrence Matthews’ 7:30 pm concert this Friday has sold out, but never fear! By popular demand, a second show for Lawrence Matthews’ return to the stage has been added!
The Crosstown Strictly Jazz Series, presented by Crosstown Arts in collaboration with Strictly Jazz Entertainment, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.
Holly Martins (Joseph Cotten), a writer of pulp Westerns, arrives in a bombed-out, post-war Vienna at the invitation of his childhood friend Harry Lime (Orson Welles) only to find him dead. Martins develops the ultimate conspiracy theory after learning of a “third man” present at the time of Harry’s death, butting up against interference from British police officer Major Calloway (Trevor Howard), and falling head-over-heels for Harry’s grief-stricken lover Anna (Alida Valli).
The Memphis Symphony Orchestra and Crosstown Arts present Rhapsody in Blue 100th Anniversary in Crosstown Theater.
Featuring the premiere of a brand-new work for wind quintet by George Lewis, commissioned by the ensemble, the City of Tomorrow sets the audience inside a kaleidoscope of culture and memory. Composer, musicologist, and winner of MacArthur and Guggenheim fellowships, George Lewis is currently the Artistic Director of the International Contemporary Ensemble and has written extensively on American experimental music, race, and the decolonization of contemporary music. His music is presented alongside another masterpiece for the modern quintet, De Memorias by Cuban-American composer Tania León. The City of Tomorrow's specialty is creating immersive experiences, in which audiences are carried from one piece to the next in a transformative musical art installation.
