The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
Soul/jazz/funk sax player and vocalist Hope Clayburn is on a mission to move the people. Her unique style has allowed her to perform with an eclectic mix of artists around the world, including The Temptations, The Allman Brothers Band, and Valerie June.
Hope can be found in Memphis, Tennessee, recording and performing with a variety of bands like Lucky 7 Brass Band, Frog Squad, Marcella Simien, and Obruni Dance Band. She has her own funk soul ensemble, Hope Clayburn’s Soul Scrimmage, performing her original music. Their new single and music video “Nobody” is out now on YouTube, and their new album and vinyl record Y’all So Loud is coming this December.
In January, encounter MLK Freedom Celebration, which aims to pay homage to capturing the beauty, struggle, and resilience of the Memphis community through music.
Performing original compositions inspired by the distinct imagery and characters of one of the most famous auteurs in film, Wes Anderson.
Jazz alto and sopranino saxophonist Wessell “Warmdaddy” Anderson played jazz early on at the urging of his father, who was a drummer. He played in local clubs from his early teenage years, and studied at the Jazzmobile workshops with Frank Wess, Charles Davis, and Frank Foster. He also met Branford Marsalis, who convinced him to study with Alvin Batiste at Southern University in Louisiana.
On Friday, January 26, at 7:30 pm, the multi-hyphenated artist Lawrence Matthews will perform for the first time since retiring his former stage name Don Lifted at the Overton Park Shell in 2022. Independent and sitting on an album and a half of new material, this performance features all new compositions only heard by a select few at private listening events over the last year.
Known for his performances’ visual spectacle, Matthews dials it back offering a undistracted and direct connection between himself and the audience while presenting a full-bodied reflection of the south and its unrelenting hold both spiritually and physically. The new material exists as a musical portal and a radical contemporary extension of the sampled blues, soul, and jazz artists for which Matthews finds himself kin.
Lawrence Matthews’ 7:30 pm concert this Friday has sold out, but never fear! By popular demand, a second show for Lawrence Matthews’ return to the stage has been added!
The Crosstown Strictly Jazz Series, presented by Crosstown Arts in collaboration with Strictly Jazz Entertainment, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.
Holly Martins (Joseph Cotten), a writer of pulp Westerns, arrives in a bombed-out, post-war Vienna at the invitation of his childhood friend Harry Lime (Orson Welles) only to find him dead. Martins develops the ultimate conspiracy theory after learning of a “third man” present at the time of Harry’s death, butting up against interference from British police officer Major Calloway (Trevor Howard), and falling head-over-heels for Harry’s grief-stricken lover Anna (Alida Valli).
The Memphis Symphony Orchestra and Crosstown Arts present Rhapsody in Blue 100th Anniversary in Crosstown Theater.
