Gareth Pearson is referred to as “The Welsh Tornado” which is particularly appropriate, seeing as this special talent combines fingerstyle pyrotechnics, with explosive lead runs making Pearson one of the most exciting acoustic musicians gigging today.
Crosstown Arts presents Xiu Xiu in The Green Room. The Green Room at Crosstown Arts Wednesday, April 12, 2023 Doors…
Tonya Dyson is a beloved artist who has not only built a devoted following in a creative landscape of her own design but has helped develop and nurture that same environment for countless other Memphis artists. She’s the genuine article in Memphis’ new soul underground.
Pianist and composer Charu Suri treads fearlessly between genres, pulling global influences that range from the mood-anchoring Indian ragas, Sufi music, to the trio. Her ground-breaking albums, The Book of Ragas, and its sequel, The Book of Ragas vol. 2 have often elicited the response, “I’ve never heard this type of sound before.”
Crosstown Arts presents The Bad Plus & Marc Ribot and the Jazz Bins at Crosstown Theater.
Tony Dagradi is most well known for his work with Astral Project, an adventurous quartet made up of top New Orleans players dedicated to playing cutting-edge improvisational music. Over the years the band has performed throughout the world, garnering universal praise as one of the most innovative, compelling jazz bands anywhere. For more information on Astral Project click here to visit the band website.
Adam Larson is an American saxophonist, composer and author. An endorsed artist for P. Mauriat saxophones, The Boston Sax Shop and Key Leaves, Adam began playing saxophone at the age of 11. Described by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined”, by Peter Hum of the Ottawa Citizen as “a saxophonist who brings Donny McCaslin and Mark Turner to mind”, and by Nate Chinen of The New York Times as “the sort of jazz musician who gets flagged early on as a promising talent and then hustles to meet every requirement for success”, Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation.
Lynn Seaton has performed at festivals world wide including the Bern, Concord, JVC, Kool, Kyoto, Chicago, Nice, Elkhart, Kansas City, Montreal, Edmonton, Newport, North Sea, Perugia, West Coast, San Sebastian, Ottercrest, Topeka, Sarasota, Paradise Valley and Poori. At present, Lynn is freelancing and touring as a performer and clinician with a variety of people.
2021 JUNO Award winner Jocelyn Gould has been called “a leader in the next generation of great mainstream jazz guitarists” by Howard Paul, CEO of Benedetto Guitars. Her joyful energy has captivated audiences around the world and her passion for music is as infectious as her unique ability to connect with audiences. Jocelyn has absorbed the influences of the jazz guitar greats and has woven them into an exciting personal sound, citing Wes Montgomery, Grant Green, Joe Pass and Kenny Burrell as primary influences on the guitar.
Sound Fuzion is a sixteen-piece commercial band that was formed and founded at the University of Memphis. Founded in 1988, the vision/ goal for the premiere commercial ensemble is to prepare students for the professional world of touring and performing. Over the years, Sound Fuzion has helped enhance and cultivate artists including Jordan Occasionally, Kyndle Wylde, The PRVLG, Jessica Ray, and The Band Camino. With high enrollment and determined students, Sound Fuzion equips and develops students to prepare them for the music industry and the world.
To celebrate Women’s History Month, the jazz department at the Stax Music Academy will present a tribute to the pioneers and powerhouses that have blazed trails for women worldwide in jazz. The concert will feature SMA’s jazz vocal ensemble, Kind Of Blue, named after the iconic 1959 Miles Davis album. The vocalists will be accompanied by a band of instrumentalists from the SMA Jazz Department. This tribute includes nods to the music of Ella Fitzgerald, Nancy Wilson, Nina Simone, and even contemporary artists like Esperanza Spalding and Jamila Woods.
Black Opry is a home for Black artists and Black fans of country, blues, folk, and Americana music. Country music has been made by and loved by Black people since its conception. For just as long, we have been overlooked and disregarded in the genre by fans and executives. Black Opry wants to change that. We invite you to discover, support and enjoy the Black artists that make magic in this space. One of the most valuable aspects of country music is its versatility and diversity in sound. Country, blues, folk, and Americana music often overlap or weave together — these artists explore all of those sounds and intersections. The Black Opry Revue showcases the diversity in sound and stories that Black artists offer to these genres.
Khari Allen Lee has arisen as one of the most in-demand saxophonists, educators, composers, and multi-instrumentalists of his generation.
SpiralPhonics isn’t burdened by the long-cast shadows of guitar/sax/drum trios that have contributed to the lineage of creative music. In fact, with each twist and turn, these guys challenge your own lens of expectation.
Grammy-nominated organist, winner of DownBeat magazine’s 2016 rising star poll and Hot Housemagazine’s 2019 poll, Pat Bianchi has established himself as one of the premier organists on the international scene today. His command of the instrument, harmonic prowess, rhythmic intensity and versatility are rivaled by few.
Made not long before the fall of the Berlin wall, this stunning tapestry of sounds and images, shot in black and white and color by the legendary Henri Alekan, is movie poetry. And it forever made the name Wim Wenders synonymous with film art.
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