The father of video art and coiner of the term “electronic superhighway,” Nam June Paik was one of the most influential artists of the 20th century. Director Amanda Kim tells the remarkable story of Paik as a citizen of the world and trailblazing artist, who both saw the present and predicted the future with astonishing clairvoyance.
Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This iteration’s performance will feature jazz singer Jazzmeia Horn.
SHEENA, a show curated and performed by Nubia Yasin, begs the question “What would make the pain of transformation desirable?” With a blend of original poetry and music, Yasin tells the story of her own transition from girlhood to womanhood against a backdrop of deep rooted shame. By walking through her own shame, she aims to allow the audience a chance to shine a light into their darkest corners, and say to what lives there “I see you. I don’t hate you.”
The award-winning Memphis Central High School Jazz Bandhas been in existence for many years and has produced many talented musicians such as pianist James Williams, saxophonist Gary Topper, pianist Dr. Ashley Davis.
Vocal, flute, drums, & machines — that’s ROSAWAY: a pop-jazz band hailing from Paris. Distinctly French, somewhat theme-tune-style, and a whole lot of groovy, this duo is a blend of past and present.
Gritty City Bang Bang is the brainchild of guitarist Jonathan Bass. Original compositions by Bass are elevated by Memphis titans Mike Assad and Carl Caspersen. This trio delivers improvisation permeated with cinematic Americana vibes, bringing the funk when needed. Next to the likes of BBQ and Home Depot, there has never been a better destination for heavy lifting of the human soul.
Joe Rainey is a Pow Wow singer. On Niineta, he demonstrates his command of the Pow Wow style, descending from Indigenous singing that’s been heard across the waters of what is now called Minnesota for centuries. Depending on the song or the pattern, his voice can celebrate or console, welcome or intimidate, wake you up with a start or lull your babies to sleep. Each note conveys a clear message, no matter the inflection: We’re still here. We were here before you were, and we never left.
Three of the most legendary women in jazz unite for one special performance, backed up by the Michael Shults Quartet.
Current exhibiting artists Sarah Elizabeth Cornejo and Katrina Perdue will discuss their work, processes, and influences. It’s a chance to get a special glimpse behind the curtain and better understand the art and the artists. The talks will be presented in each gallery, which each artist speaking in the gallery where their work is on view.
Making Movies is a psychedelic Panamanian band that makes American music with an asterisk: because Making Movies’ sound encompasses the entirety of the Americas. It’s through this broader perspective that Making Movies crunches classic rock into Latin American rhythms — African-derived percussion and styles like rumba, merengue, mambo and cumbia — in a way that feels oddly familiar, yet delivers the invigorating chills of hearing something singularly special.
Art rockers from Chicago, NOHMADS weave layers of noir, sludge, and pop to create their unique sound, combining songs, spoken word, and visual elements to tell stories. The band’s debut LP, Chartreuse, contains seven original tracks. Soaring guitars, dynamic percussion, and haunting vocal harmonies escort the listener on a ride through everyday silenced small town dramas, into murky backwoods of past lives, and along hopeful deserted dream landscapes.
With guitar, fiddle, button-box, banjo, harmonicas, rhythm-bones, and Willi’s booming baritone, this is bonafide populist folk music in the tradition of cowboys, frontier fiddlers, and tall-tale tellers. Carlisle recognizes that the only thing holding us back from greatness is each other. With a quick wit and big sing-alongs, these folksongs bring us a step closer to breaking down our divides.
While James Otis Sexton is widely known as a versatile drummer, having performed, toured, or recorded with several world renowned and Grammy-winning artists, he is least known as a composer. For this reason, “The Otis Mission” was created, and it will solely perform James’ original musical compositions.
Makaya McCraven is a prolific drummer, composer, and producer. His newest album, In These Times, is the triumphant finale of a project seven-plus years in the making. It’s a preeminent addition to his already-acclaimed and extensive discography, and it’s the album he’s been trying to make since he started making records.
Amrita “Ami” Kaur Dang is a South Asian-American vocalist, sitarist, composer and producer from Baltimore. Her sound blends elements of North Indian classical, noise/ambient electronics, beat-driven psych and experimental dance pop. The work references her hybrid identity as a first-generation South Asian-American, Sikh upbringing, musical education, as well as the chaos and spirituality of the landscapes of both Baltimore and urban India.
TANGELA is the glittery finish to a masterfully crafted collage. She glows, sparkles, and shines wherever she is present. A fusion of love and artistic vision, TANGELA has dibble-dabbled in The Arts since she was a toddler — weaving in and out of painting classes, bands, theatrical outfits and dance troupes, intent on discovering her most magical talents.
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