Events

Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This iteration’s performance will feature jazz saxophonistEric Darius.

Crosstown Arts & Indie Memphis present Shoot & Splice: Music Licensing & Composition in The Green Room. The Green Room...

Matt Otto currently performs his original compositions and jazz standards with his Kansas City-based quartet as well as traveling several times per year to New York and L.A. for performances and recordings.

Matt has recorded and performed with the Grammy-nominated Anthony Wilson Nonet (The Power of Nine, Groove Note 1035, 2006), The Rashid Bakr Quintet, has performed in Los Angeles with the Grammy Nominated Alan Ferber Big Band as well as having recorded on over 50 CDs as both a leader and a side man. 

Jerry (Cary Grant) and Lucy (Irene Dunne) are a married couple who doubt each other's fidelity: Jerry suspects Lucy and her music teacher (Alexander D'Arcy) of spending an evening together, and Lucy is convinced Jerry lied about a business trip. When the jealous pair file for divorce, both rush into new relationships, but quickly realize their love never died. The soon-to-be-divorced husband and wife then both scramble to spoil each other's chances for newfound romance.

The Cooper-Young jazz group was an institution in Midtown Memphis for the better part of the 2000s, playing at the Young Avenue Deli every Sunday from approximately 1999-2006. At a time when jazz wasn’t exactly thriving in Memphis, this group helped to bridge the gap that would carry the torch from Memphis’ storied past of jazz innovation to the burgeoning scene it is today.

Joyce’s career spans from live orchestrations for Nashville’s WSM radio and television stations, to live performances in Europe. She landed a record deal with a subsidiary of Stax Records just before the label folded, but continued her recording career with the West Coast-based Cream Records. Under the direction of Wayne Crook of Shoe Productions, she wrote, sang, and performed the single “Dig the Gold” that earned her a No. 42 spot in Billboard Magazine.

In Paris, isolated Eastern European émigré Trelkovsky (Roman Polanski) rents an apartment in a spooky old building whose inhabitants regard him with suspicion and even outright hostility. When he learns that the apartment's previous tenant, a beautiful woman, tried to commit suicide by jumping out the window, Trelkovsky begins to identify with her in increasingly disturbing ways. Then, to make matters even worse, he reaches the conclusion that his new neighbors are plotting to kill him.

After living in the United Kingdom for more than two decades, Emily Barker – the prolific, award-winning contemporary singer-songwriter best known for composing and performing the theme for Wallander, the BBC’s hugely successful crime drama starring Kenneth Branagh – returned home to Western Australia to begin a new musical chapter with her latest single, “Wild To Be Sharing This Moment”, out today through Everyone Sang/Kartel Music Group and embarking on a national tour with UK artist, Frank Turner.

“I’m an advocate for keeping conversation alive across divides,” Emily stresses, “for trying to approach each encounter as an opportunity for connection. We must find our common humanity in order to make the world a safer, better place for us all to live in.”

The upcoming concert at The Green Room will showcase Edmaiston on saxophones along with master rhythmatist Ra Kalam on drums/percussion/gongs in various instrumental configurations with an eclectic mix of talented guests.

Crosstown Arts presents Strictly Jazz: The Music of Sarah Vaughan & Ella Fitzgerald in The Green Room. The Green Room...

With a core in the music experience of the Black Church, The Knights salute the contributions of traditional jazz artists and composers. The eclectic and seasoned audience members that enjoy impassioned blues and hearty R&B are embraced. The soundscape produced stirs the soul and rouses the hands and feet.

Jazz Times magazine states that “Patrice Williamson isn’t a singer, she’s a one-woman jazz sampler. — She is a woman of many voices, each distinctly intriguing, all distinctly her own.”