The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
Inspired by militant leaders like Malcom X and Stokely Carmichael, a new radicalized generation of civil rights activists made up of young college students, Vietnam vets, musicians, and intellectuals emerged in Memphis in 1967. The Invaders uncovers the history and significance of the often-overlooked group, detailing their direct involvement with Dr. Martin Luther King Jr. in the pivotal hours leading up to his assassination. The Invaders touches on themes of race, government surveillance and economic injustice. The film offers a unique perspective on the 1968 Memphis Sanitation Strike by emphasizing the role of resident youth in the movement, as well as focusing on the function of poverty and economic disparity in Memphis.
Presented in collaboration with the Stax Museum of American Soul Music. Q&A following the screening!
