The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
A group of unemployed parapsychologists go into business as professional ghost neutralizers. But when New York City comes under stack from a host of supernatural demons, the self-proclaimed Ghostbusters must step up and save the world from the sinister “Zuul.” Directed by Ivan Reitman.
After receiving an anonymous letter about a missing 12-year-old girl, devoutly Christian Police Sergeant Neil Howie (Edward Woodward) travels by seaplane to a remote Scottish island to investigate. But the islanders welcome neither his badge nor religious devotion, for Lord Summerisle (Christopher Lee) and his devoted followers worship only the pagan gods of old — and those gods demand a sacrifice. Howie fears for the missing girl's life and follows every possible lead to find her — despite the islanders’ interference — before she becomes a human sacrificial lamb. Directed by Robin Hardy.
