The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
The collective vision of trumpeter Marc Franklin, guitarist Joe Restivo, and vocalist John Németh has earned the ensemble favorable responses from the public and press alike. The Memphis Commercial Appeal noted the band’s immersive qualities, transporting listeners to a pivotal scene in which jazz and blues maintained influence over Memphis’ soul burgeoning sound. Writer Bob Mehr lauded the band for “re-conjuring a sound and style that was dominant in Memphis, and that would have a formative influence on the young artists who would come to stock the rosters of Stax Records and Hi Records in the decades to come.”
