The Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South, elsewhere, and created.
“Days” follows the everyday observations of the structures we interact with. The houses become more than just a residence, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin.
“But Then, Suddenly, I Was Looking From the Inside Out” is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it's all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking, this is a kind of nurtured chaos.
For this performance, Ben Ricketts (piano/vocals/electronics) will be joined by the Vanishing Imaginary Orchestra, a small ensemble featuring Julia Rice (guitar), Dylan Van Zile (bass), and Kole Oakes (tapes/synthesizer/samples). This performance ensemble recreates and reimagines songs from Ricketts’ wide-ranging catalogue, bringing them to life with a mix of tight arrangements, adventurous improvisation, and expansive audio exploration. Local songwriter Rachel Maxann will be opening the show.
