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DTSTART;TZID=America/Chicago:20230329T193000
DTEND;TZID=America/Chicago:20230329T220000
DTSTAMP:20260404T035119
CREATED:20230103T221509Z
LAST-MODIFIED:20230301T001126Z
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SUMMARY:SpiralPhonics
DESCRIPTION:The Green Room at Crosstown Arts\nWednesday\, March 29\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 at the door \nPURCHASE TICKETS HERE \nSpiralPhonics is an instrumental music trio founded in 2021 by saxophonist Art Edmaiston\, guitarist Logan Hanna and percussionist Terence F. Clark. The musical direction of the group focuses on original compositions and improvisations woven together using the energy of the moment. October 2022 marked the release of their debut live album “The Argot Session” and the band is currently working on new music for an upcoming studio recording. \nMelodic twists and churning rhythms challenge the listener to open the lens of expectation and allow themselves to be transported through the air on surging spikes of energy freely flowing into funky cascades of textural grooves and harmonic surprises. \nInspiration – Vibrations – Reflections – Intention \nFor this concert in the Green Room at Crosstown Arts\, SpiralPhonics will give a rare performance as an expanded quartet. \nJoining Edmaiston and Hanna for this show is the phenomenal PeeWee Jackson on drums with fiery up-and-coming bassist Liam O’dell rounding out the quartet. SpiralPhonics is a musical group drawing from a deep well of influences and experiences. The members are always open to the unlimited possibilities of the moment and that is what makes each performance special and not to be missed! \n  \nBlurbs: \n“Extra\, extra! Read all about it! Irresistible force of Downtown Free Improv collides with immovable object of Memphis pocket!” – Charlie Hunter / Artist; Producer  \n“This shiet snuggly fye mane!” – MonoNeon / Bassist; Artist  \n“Bro\, this album ain’t an album. It is a soundbath. It’s a journey around the world. I meditate to it.” – Propaganda / HipHop Artist; Author; Writer \n“From fiery jazz to deep ambient beauty to the funkiest soul music\, this music captures the sound and essence of Memphis in a fashion only made possible by a group of some of its most respected and skilled artists from the past two decades. Deeply emotional\, raw\, and sometimes even danceable; inspiring sounds from the South.” – Chad Fowler / Mahakala Music
URL:https://crosstownconcourse.com/event/spiralphonics/
LOCATION:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230328T193000
DTEND;TZID=America/Chicago:20230328T213000
DTSTAMP:20260404T035119
CREATED:20230113T225427Z
LAST-MODIFIED:20230117T221109Z
UID:2163-1680031800-1680039000@crosstownconcourse.com
SUMMARY:Makaya McCraven
DESCRIPTION:Crosstown Arts presents Makaya McCraven at Crosstown Theater. \nCrosstown Theater\nTuesday\, March 28\, 2023\nDoors open at 6:30 pm | Show begins at 7:30 pm\nTickets: $25 advance | $30 day of the show \nPURCHASE TICKETS HERE \nMakaya McCraven is a prolific drummer\, composer\, and producer. \nHis newest album\, In These Times\, is the triumphant finale of a project seven-plus years in the making. It’s a preeminent addition to his already-acclaimed and extensive discography\, and it’s the album he’s been trying to make since he started making records. \nMcCraven believes that the word “jazz” is “insufficient\, at best\, to describe the phenomenon we’re dealing with.” The artist\, who has been aptly called a “cultural synthesizer”\, has a unique gift for collapsing space\, destroying borders and blending past\, present\, and future into poly-textural arrangements of post-genre\, jazz-rooted 21st century folk music. Profiled in Vice\, Rolling Stone\, the Guardian\, and NPR\, among other publications\, he and the music he makes today are at the very vanguard of that phenomenon. According to the New York Times\, “McCraven has quietly become one of the best arguments for jazz’s vitality.” The artist explained to NPR in 2019\, “I don’t think what I’m doing is necessarily that far off of the legacy of jazz that I grew up in … I think one of the things that gives it strength is that people want to argue over it. That’s a good sign. That means there’s life here.” \nBorn in Paris in the Autumn of 1983 to Hungarian singer and flutist Ágnes Zsigmondi and African-American expat jazz drummer Stephen McCraven\, Makaya was raised in a vibrant\, creative community in the Northampton\, Massachusetts area\, where his father often played with artists like saxophonist and ethnomusicologist Marion Brown\, multi-instrumentalist Yusef Lateef\, and saxophonist Archie Shepp\, as well as a cadre of African Gnawa musicians. That scene\, with its enticing blend of cultures\, helped establish his philosophy around jazz as folk music. Meanwhile\, his mother’s music blended Eastern European folk traditions\, concurrently shaping his conceptions about the role of music in building and reflecting communities. \n“I’m really drawn to folk music. Music of aural tradition\, music that is of the people where it’s more of a collective experience of music and dance and culture that we all participate in and know as part of our being or as part of who we are.” He sees his work as a continuation of those traditions\, noting\, “I like to teach the music to musicians by ear\, and hope even when I bring in more challenging rhythms\, or difficult time signatures\, I am able to do it in a way that is of the body and of the people of the earth in a way that’s not necessarily some intellectual experiment\, but more something that’s dealing with people.” \nWhile immersed as a youth in global folk traditions\, he was also a child of the nineties\, deeply influenced by sample-based hip-hop. He observed that jazz was sometimes perceived by his peers as “something that was old\, corny\, white… going to get you beat up.” This directly countered his own experience with the music: “That was such a strange idea to me\, because the guys I grew up around were cool\, and [weren’t] buttoned up like that.” \nEventually he discovered bridges between jazz and hip-hop\, including classic jazz records being sampled by hip-hop producers such as Pete Rock\, and began to devote energy to “reappropriate this music to be what it is\, what it means to me\, and what it means for my people.” \nAfter cutting his teeth in the Western Massachusetts music scene\, co-founding a jazz-hip hop band called Cold Duck Complex that ultimately opened for The Pharcyde\, Digable Planets\, and the Wu-Tang Clan\, he and his partner (now wife\, comparative race studies scholar Nitasha Tamar Sharma) moved to Chicago in 2006. McCraven soon found himself immersed in both the creative and straight-ahead jazz scenes\, proving his versatility\, and along the way finding a community that mirrored the pulsating scene that birthed him artistically. Within five years’ time\, he’d established a name for himself\, gigging alongside scene stalwarts like Willie Pickens\, Marquis Hill and Jeff Parker. \nHe first connected with the founders of Chicago’s International Anthem label in late 2011\, and across 2012-2013 they hosted and recorded a series of improvised jazz nights featuring his combo at The Bedford\, a club situated in what was once an old basement bank vault. McCraven took 48 hours of recordings and sculpted beguiling hip-hop beats\, not unlike how Teo Macero looped and assembled Miles Davis’ On the Corner from improvised magic. At the time\, McCraven thought of the project\, which became the 2015 double LP release In The Moment\, as an opportunity to connect and to “find a young audience in this music. It just felt like the right time and a place where I could really connect with people.” That notion proved prophetic: JazzTimes called the album “one of the year’s most mesmerizing releases\,” the record was an “Album of the Week” pick by taste-making DJ Gilles Peterson on BBC 6 Music\, and it was chosen for “Best of 2015” lists by PopMatters\, NPR\, and the Los Angeles Times. \nMcCraven continued to hone his process of live improvisation and sampling with Highly Rare in 2017 (crafted from a live set recorded at Danny’s Tavern in Chicago)\, 2018’s Where We Come From(CHICAGOxLONDON Mixtape)\, which was built from recordings of a showcase at London’s Total Refreshment Centre\, and Universal Beings (also released in 2018). Universal Beings\, consisting of augmented live sessions in Chicago and New York\, in addition to pop-up studio sessions in London and Los Angeles\, concretely reflects his borderless multi-national ethos. The work featured varying configurations of international players\, including Nubya Garcia and Shabaka Hutchings from London\, Junius Paul and Tomeka Reid of Chicago\, Anna Butterss and Miguel Atwood-Ferguson from Los Angeles\, and Brandee Younger and Dezron Douglas from New York. \nThe title of the album was culled from a sampled passage on the track “Brighter Days Beginning\,” in which percussionist Carlos Niño offers\, “We’re universal beings\,” a theme of borderlessness that resonated deeply with McCraven\, who grew up in a multicultural household and community. “I’m not beholden to this border or this city\,” McCraven told Vice in 2018\, “What is a place? Other than the people. It’s just dirt\, you know?” The resulting album was called “radiant” and “hypnotic” by Pitchfork. \nIn 2019\, McCraven both delivered a triumphant Jazz Night in America performance at South Shore Cultural Center in Chicago\, and mounted a multimedia performance of an early iteration of what became his new album In These Times\, at the Walker Arts Center in Minneapolis. \nIn the meantime\, he remixed Gil Scott-Heron’s final album (2010’s I’m New Here) for 2020’s We’re New Again: A Reimagining by Makaya McCraven\, issued Universal Beings E+F Sides(also in 2020)\, and delved into the venerable Blue Note Records catalog in 2021 for Deciphering the Message\, each project also employing new improvisations and sampling\, helping to further cement his “beat scientist” moniker. Concurrently\, the seeds for 2022’sIn These Times were budding\, and their nurseries were stages around the globe. McCraven explains\, “As I’ve been touring\, I’ve been performing music off of the record In These Times… When In the Moment took off and I started touring a lot\, we would go on the road and 50% of the music was just my concept and my compositions.” \nIn These Times\, a collection of polytemporal compositions inspired as much by broader cultural struggles as McCraven’s personal experience as a product of a multinational\, working class musician community\, is the recording that McCraven has been trying to create for 7+ years\, as it’s been slowly cooking in the background while his other works were released. He began recording In These Times seven years ago\, but “for whatever reason\, Universal Beings just came to fruition much quicker. It just took more time for this to mature into everything it’s become. With the success of Universal Beings and the Universal Beings concerts that we did (with Red Bull) in Chicago at South Shore Cultural Center and le poisson rouge in New York\, I had an opportunity to realize the record not as a collection of four sides of trios and quartets\, but I turned that record as a performance into a 10 to 12-person concert\, and that experience ended up evolving my approach to In These Times.” \nIn These Times encompasses all he’s lived through\, as well as his lineage\, while also pushing the music forward. Music critic Passion of the Weiss suggested that “McCraven’s work\, both with younger players and the sounds of older recordings\, is part of a necessary conversation about the next evolution of the Black improvised music known colloquially as ‘jazz.’ He’s found the threads connecting the past with the present\, and is either wrapping them with new colors and textures\, or he’s plucking them gleefully like the strings of a grand instrument.” McCraven concurs: “To me\, that is the tradition that I want to try to take part in. Being well-rooted\, but walking into the future\, is really what all of the leaders in this music have done that I admire. And I think that resonates with people. Something that’s like how we know it\, but is evolving… It’s just where I am at\, where we’re at\, and the evolution of that\, and that’s what I’m trying to be.”
URL:https://crosstownconcourse.com/event/makaya-mccraven/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/smallerMakayaPREFERREDPROMOPHOTOcredit@sulyiman_.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230328T180000
DTEND;TZID=America/Chicago:20230328T193000
DTSTAMP:20260404T035119
CREATED:20230302T181002Z
LAST-MODIFIED:20230302T181002Z
UID:2347-1680026400-1680031800@crosstownconcourse.com
SUMMARY:Nathan Graybeal Quintet
DESCRIPTION:The Central Atrium\nTuesday\, March 28\, 2023\nShow begins at 6 pm\nTickets: Free \nNathan Graybeal is a product of his time\, growing up in the digital information age and utilizing his long history of videography by mixing it with his love for the saxophone. Within 4 years\, he has accumulated over 20 million views on his YouTube channel known as “Saxologic.” After acquiring his master’s degree in jazz performance at the Frost School of Music at the University of Miami\, Nathan is currently pursuing a DMA in Classical Saxophone at the University of Memphis.\n\nNathan Graybeal\, alto saxophone\nEli Wyatt\, tenor saxophone\nJacob Loreant\, guitar\nLiam O’Dell\, bass\nZack Graybeal\, drums
URL:https://crosstownconcourse.com/event/nathan-graybeal-quintet/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/03/image-3.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230326T190000
DTEND;TZID=America/Chicago:20230326T203000
DTSTAMP:20260404T035119
CREATED:20230203T183119Z
LAST-MODIFIED:20230321T173058Z
UID:2252-1679857200-1679862600@crosstownconcourse.com
SUMMARY:Strictly Jazz: The Music of Bill Evans
DESCRIPTION:Crosstown Arts presents Strictly Jazz: The Music of Bill Evans in the Green Room. \nThe Green Room at Crosstown Arts\nSunday\, March 26\, 2023\nDoors at 6:30 pm | Show at 7 pm\nTickets: $15 in advance | $20 at the door \nPURCHASE TICKETS HERE \nThe Crosstown Strictly Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nThis show features Gerald Stephens (piano)\, Art Edmaiston (tenor saxophone)\, Marc Franklin (trumpet/flugelhorn)\, Neal Bowen (bass)\, and Mike Assad (drums) with a special live painting experience by RODAN. \nAbout Strictly Jazz: \nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. Strictly Jazz Entertainment facilitates dialogue and collaboration between the devoted supporters of jazz and the brand new constituents — those new to the genre — for the furthering of the jazz community. Strictly Jazz provides a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownconcourse.com/event/strictly-jazz-the-music-of-bill-evans/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/02/bill-evans.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230325T193000
DTEND;TZID=America/Chicago:20230325T220000
DTSTAMP:20260404T035119
CREATED:20221212T175058Z
LAST-MODIFIED:20230316T160555Z
UID:2022-1679772600-1679781600@crosstownconcourse.com
SUMMARY:Morgan James (SOLD OUT!)
DESCRIPTION:Crosstown Arts presents Morgan James in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, March 25\, 2023\nDoors: 7 pm | Show: 7:30 pm\nVIP Entry at 6:15 pm | VIP meet-and-greet and performance at 6:30 pm\nTickets: $25 | VIP package available with additional $35 \nPURCHASE TICKETS HERE \n“A phenomenal talent whose feel for classic soul music is bone deep…This woman is on fire.” — The New York Times \nMorgan James is a Juilliard trained singer\, actress\, songwriter and recording artist in New York City. \nMorgan recently co-produced and starred in an all-female concept recording of “Jesus Christ Superstar” entitled “She Is Risen”. She independently released her studio albums of original soul music\, entitled Memphis Magnetic\, and A Very Magnetic Christmas recorded to analog tape in Memphis\, Tennessee. Other albums include “Reckless Abandon”\, which prompted the Huffington Post to call MJ the “Brightest Breakout Artist of the Year”. Last year\, Morgan took on a full album cover of the Beatles’ iconic ‘White Album’ to celebrate the 50th anniversary; available on CD\, vinyl\, digital and full length concept video on her YouTube channel. She also took on Joni Mitchell’s “Blue” and covered it in its entirety. Morgan recorded two full-length albums with Epic Records: “Hunter”\, an album of original R&B\, and “Morgan James Live\, a celebration of Nina Simone”. All of her music can be found on all streaming platforms\, and hard copies on her website or at shows. \nOn Broadway\, Morgan was in five back-to-back original companies: The Addams Family (starring Nathan Lane and Bebe Neuwirth)\, Wonderland\, Godspell and Motown: The Musical\, and as a guest at Kristin Chenoweth’s For The Girls. \nWith viral sensation Postmodern Jukebox and with her own YouTube channel\, Morgan’s music videos have accumulated more than 260 million views (and climbing). \nFor info\, tour tickets and new album updates\, please visit www.morganjamesonline.com. @morganajames
URL:https://crosstownconcourse.com/event/morgan-james/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/12/unnamed-55.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230325T193000
DTEND;TZID=America/Chicago:20230325T210000
DTSTAMP:20260404T035119
CREATED:20230316T171620Z
LAST-MODIFIED:20230316T171620Z
UID:2388-1679772600-1679778000@crosstownconcourse.com
SUMMARY:Red Bull Dance Your Style
DESCRIPTION:The Central Atrium\nSaturday\, March 25\, 2023\nDoors at 6:30 pm | Show begins at 7:30 pm\nTickets: $5 \nPURCHASE TICKETS HERE \nRed Bull Dance Your Style is returning to Memphis — challenging some of the best dancers in the US. Competitors will enter epic 1-on-1 battles\, bringing improvisation to a new level. Unpredictable tunes\, from mainstream hits to timeless classics\, fire up the dance floor\, allowing dancers to showcase their skills and wow the crowd! And here’s the catch — the crowd are the judge! Red Bull Dance Your Style Memphis is going down at Crosstown Concourse on March 25\, 2023. Save the date! \n\n\nThe winner of Red Bull Dance Your Style Memphis will compete in the National Finals May 20\, 2023\, in Chicago. \nIf you are interested in competing\, register for auditions near you here: https://win.gs/auditions
URL:https://crosstownconcourse.com/event/red-bull-dance-your-style/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/03/RB_DYS23_KV_QUALIFIER_MEMPHIS_1080X1080_NEW_URL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230324T183000
DTEND;TZID=America/Chicago:20230324T200000
DTSTAMP:20260404T035119
CREATED:20230320T212031Z
LAST-MODIFIED:20230320T212031Z
UID:2407-1679682600-1679688000@crosstownconcourse.com
SUMMARY:Memphis Symphony Orchestra: MOZART AND ELECTRIC GUITAR CONCERTO
DESCRIPTION:Paul and Linnea Bert Classic Accents Series · 3\nMOZART AND ELECTRIC GUITAR CONCERTO\nFriday\, March 24\, 2023 · 6:30pm\nCrosstown Theater \nPurchase tickets here \nFriday\, March 24\, 2023 | 6:30pm | Crosstown Theater \nKalena Bovell\, conductor\nD.J. Sparr\, composer and electric guitar \nHAHN  Overture to Mozart\nSPARR Violet Bond: Electric Guitar Concerto\nVILLA-LOBOS  Sinfonietta No. 1\nMOZART  Symphony No. 31 “Paris” \nA concert of musical dedications: Mozart’s “Paris” Symphony headlines this concert\, paired with works dedicated to him by two South American composers\, Reynaldo Hahn and Heitor Villa-Lobos. Young composer and performer\, D.J. Sparr brings his breathtaking electric guitar concerto\, also dedicated to his musical inspiration: his grandmother\, Violet Bond.
URL:https://crosstownconcourse.com/event/memphis-symphony-orchestra-mozart-and-electric-guitar-concerto/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/03/symphony-by-Jamie-Harmon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230323T190000
DTEND;TZID=America/Chicago:20230323T220000
DTSTAMP:20260404T035119
CREATED:20221214T175456Z
LAST-MODIFIED:20230317T230849Z
UID:2034-1679598000-1679608800@crosstownconcourse.com
SUMMARY:(SOLD OUT) Iron & Wine: Back to Basics – Part Three With Anna Mieke
DESCRIPTION:Crosstown Arts presents Iron & Wine: Back to Basics — Part Three with Anna Mieke at Crosstown Theater. \nCrosstown Theater\nThursday\, March 23\, 2023\nDoors at 6 pm | Show at 7 pm\nTicketing: $40-70 \nPURCHASE TICKETS HERE \nIron & Wine is the musical project of singer-songwriter Sam Beam. Born and raised in South Carolina\, Beam was teaching film when his home recorded debut\, The Creek Drank the Cradle\, was released on Sub Pop records in 2002. Garnering both critical and popular acclaim\, Beam was vaulted into the spotlight of the burgeoning indie-folk and Americana scenes. Now entering its 20th year\, Iron & Wine have released seven full length recordings\, numerous EPs / singles\, and collaborations with Calexico\, Ben Bridwell (Band of Horses) and Jesca Hoop all on their way to becoming a four-time GRAMMY nominee. Iron & Wine’s music has captured the emotion and imagination of listeners with their distinctly cinematic songs; in particular they’ve become synonymous with the movies Twilight and Garden State and continue to find a home in your favorite film\, TV show or streaming playlist. As the world continues to spin — so do Iron & Wine continue on their path of releasing new music and touring. \nAnna Mieke’s world radiates with an intense heat that lies closer to the desert or the jungle than her hometown of Wicklow\, Ireland. On her second album Theatre\, she invites listeners into this warmth\, enveloping us in a vivid dreamscape that mirrors her lush and adventurous upbringing. Her music is the⁠ surreal soundtrack of a vast personal plain steeped in nostalgia\, family\, memory\, death and dreaming—where gritty reality and romanticism meet. This duality is the thematic core of Theatre\, which focuses on the conflict between permanence and temporality\, the immaterial and material\, and how memories of places and people fade\, warp\, and reinvent themselves over time.
URL:https://crosstownconcourse.com/event/iron-wine-back-to-basics-part-three/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/12/IRON-WINE-2023-Photo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230322T180000
DTEND;TZID=America/Chicago:20230322T190000
DTSTAMP:20260404T035119
CREATED:20230320T175243Z
LAST-MODIFIED:20230320T175418Z
UID:2401-1679508000-1679511600@crosstownconcourse.com
SUMMARY:Memphis Jazz Through the Lens with Michael Kelley
DESCRIPTION:Memphis Listening Lab\nWednesday\, March 22\, 2023\nTalk begins at 6 pm\nTickets: Free and open to the public \nMemphis-based jazz aficionado Michael Kelley presents his collection of photographs of jazz luminaries preserving the deep\, rich history of the artform.
URL:https://crosstownconcourse.com/event/memphis-jazz-through-the-lens-with-michael-kelley/
LOCATION:Crosstown Concourse\, 1350 Concourse Ave\, Memphis\, TN\, 38104\, United States
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/03/Screen-Shot-2023-03-20-at-12.29.16-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230321T193000
DTEND;TZID=America/Chicago:20230321T220000
DTSTAMP:20260404T035119
CREATED:20230106T221020Z
LAST-MODIFIED:20230320T212636Z
UID:2119-1679427000-1679436000@crosstownconcourse.com
SUMMARY:(SOLD OUT!) SONGBIRDS: A Tribute to Women in Jazz
DESCRIPTION:Crosstown Arts presents Stax Music Academy: SONGBIRDS: A Tribute to Women in Jazz in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, March 21\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $10 GA (Free for SMA students and faculty) \nPURCHASE TICKETS HERE \nTo celebrate Women’s History Month\, the jazz department at the Stax Music Academy will present a tribute to the pioneers and powerhouses that have blazed trails for women worldwide in jazz. The concert will feature SMA’s jazz vocal ensemble\, Kind Of Blue\, named after the iconic 1959 Miles Davis album. The vocalists will be accompanied by a band of instrumentalists from the SMA Jazz Department. This tribute includes nods to the music of Ella Fitzgerald\, Nancy Wilson\, Nina Simone\, and even contemporary artists like Esperanza Spalding and Jamila Woods. The music will speak to the strength\, elegance\, innovation\, and devotion that women have embodied in the evolution across the diaspora of modern jazz music. \nThe Stax Music Academy jazz department\, under the direction of SMA alumnus Kori Wallace\, currently hosts three main ensembles. The premiere group\, The Legacy Quintet\, boldly carries the torch of Memphis’ rich musical history and features the program’s four top performing instrumentalists and top performing vocalist. Kind Of Blue\, our jazz vocal ensemble\, provides vocalists the opportunity to dive deeply into the nuances of the jazz language spoken by some of the greatest voices in American music. Lastly\, we have the newly minted Phineas Newborn Jazz Orchestra. The PNJO shines a light on one of the titans of Memphis jazz\, and creates the space for students to develop in large ensemble performance. The overall mission of the jazz department is to provide an environment for students to tap into the roots of Memphis music through its deep connection to jazz. Through that connection\, students are also able to develop in their approaches to the many styles synonymous with this great city.
URL:https://crosstownconcourse.com/event/songbirds-a-tribute-to-women-in-jazz/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/SMA-Songbirds-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230317T193000
DTEND;TZID=America/Chicago:20230317T210000
DTSTAMP:20260404T035119
CREATED:20230117T184440Z
LAST-MODIFIED:20230117T184440Z
UID:2174-1679081400-1679086800@crosstownconcourse.com
SUMMARY:The Otis Mission
DESCRIPTION:Crosstown Arts presents The Otis Mission in the Green Room. \nThe Green Room at Crosstown Arts\nFriday\, March 17\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 at the door ($10 students) \nPURCHASE TICKETS HERE \nThe Otis Mission is led by veteran drummer and prominent Memphis musician\, James Otis Sexton. \nWhile James is widely known as a versatile drummer\, having performed\, toured\, or recorded with several world renowned and Grammy-winning artists\, he is least known as a composer. For this reason\, “The Otis Mission” was created\, and it will solely perform James’ original musical compositions. \nBecause he’s performed in a plethora of musical genres including gospel\, jazz\, fusion\, rhythm & blues\, hip hop\, salsa\, and more\, it’s no surprise that his music would reflect just that. \nThis promises to be a fun night of music and the inception of a new staple in Memphis music heritage. \nThis ensemble consists of James Sexton (drums)\, Tony Dickerson (keys)\, Alvie Givhan (keys)\, Deante Payne (mallets)\, Joe Restivo (guitar)\, and Ted Partin (bass).
URL:https://crosstownconcourse.com/event/the-otis-mission/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230317T180000
DTEND;TZID=America/Chicago:20230317T193000
DTSTAMP:20260404T035119
CREATED:20230302T180135Z
LAST-MODIFIED:20230302T180135Z
UID:2345-1679076000-1679081400@crosstownconcourse.com
SUMMARY:University of Memphis Jazz Combo 1
DESCRIPTION:The Central Atrium\nFriday\, March 17\, 2023\nShow begins at 6 pm\nTickets: Free \nUnder the direction of Dr. Michael Shults\, University of Memphis Jazz Combo 1 is the top performing small group jazz ensemble at the Rudi E. Scheidt School of Music. The all-star combo specializes in compositions by post-bop jazz masters including Wayne Shorter\, Christian McBride\, Kenny Garrett\, and Memphis’s own James Williams. \nNathan Graybeal\, alto saxophone \nEli Wyatt\, tenor saxophone \nJacob Loreant\, guitar \nLogan Clark\, bass \nJacob Bross\, drums
URL:https://crosstownconcourse.com/event/university-of-memphis-jazz-combo-1/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/03/uofm-jazz.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230315T190000
DTEND;TZID=America/Chicago:20230315T210000
DTSTAMP:20260404T035119
CREATED:20230310T182249Z
LAST-MODIFIED:20230310T182249Z
UID:2375-1678906800-1678914000@crosstownconcourse.com
SUMMARY:MicroCinema: A String of Pearls
DESCRIPTION:Crosstown Arts and Indie Memphis present MicroCinema: A String of Pearls – The Films of Camille Billops and James Hatch.  \nCrosstown Theater\nWednesday\, March 15\, 2023\nDoors at 6:30 pm | Screenings begin at 7:00 pm\nTickets: Pay-What-You-Can \nPURCHASE TICKETS HERE \nIndie Memphis and Crosstown Arts are proud to present three films from A String of Pearls: The Films of Camille Billops and James Hatch. Newly restored\, these three shorts\, Take Your Bags\, Older Women and Love\, and Suzanne\, Suzanne\, highlight the longtime creative partnership of artists\, writers\, and filmmakers Camille Billops and James Hatch. \nMany of the six films they made together pull from and explore Billops’ specific point of view\, her life\, and the lives of her family. These films are singular\, deeply creative\, and incisive in their examination of the stripping of culture and identity because of slavery (Take Your Bags)\, the experiences of love and dating later in life (Older Women and Love)\, and the deep ripple effects that abuse has on a relationship between mother and daughter (Suzanne\, Suzanne). \nWe’re grateful to Malkah Manouel and Third World Newsreel for making this MicroCinema possible!
URL:https://crosstownconcourse.com/event/microcinema-a-string-of-pearls/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/03/Older-Women-and-Love-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230314T193000
DTEND;TZID=America/Chicago:20230314T220000
DTSTAMP:20260404T035119
CREATED:20221216T213310Z
LAST-MODIFIED:20221216T213310Z
UID:2042-1678822200-1678831200@crosstownconcourse.com
SUMMARY:Peter Bernstein with the Ted Ludwig Trio
DESCRIPTION:Crosstown Arts presents Modern Masters: Peter Bernstein with the Ted Ludwig in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, March 14\, 2023\n$25 | $20 in advance ($10 student tickets at the door)\nDoors open at 7 pm | Show begins at 7:30 pm \nPURCHASE TICKETS HERE \n​​Jazz guitarist Peter Bernstein has been a part of the jazz scene in New York and abroad since 1989. During that time he has participated in numerous recordings and performances with musicians from all generations. As a leader\, Peter has released nine albums and a DVD. As a sideman Peter has appeared in groups led by Sonny Rollins\, Bobby Hutcherson\, George Coleman\, Lou Donaldson\, Dr. Lonnie Smith\, Fathead Newman\, Joshua Redman\, Brad Mehldau\, Diana Krall\, Lee Konitz\, Jimmy Cobb\, and many more. Current projects include his album\, Monk\, with Doug Weiss and Bill Stewart\, a recently released solo record\, Solo Guitar – Live at Smalls\, and the highly acclaimed organ trio with organist Larry Goldings and drummer Bill Stewart. \n“Peter’s an extremely elegant musician with a gorgeous tone that seems to relax you when you hear it.” – The Jazz Bakery\, Los Angeles \n“The jazz guitarist\, among the most sought after in the New York area\, has a feather-light touch\, an encyclopedic knowledge of chords and the ability to play standards like he’s inventing them on the spot.” – The Los Angeles Daily News \n“Mr. Bernstein is a fluidly improvising guitarist in the post-bop tradition\, with control over harmony and a beautiful sound.” – The New York Times
URL:https://crosstownconcourse.com/event/peter-bernstein-with-the-ted-ludwig-trio/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/12/PETERBERNSTEIN.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230314T180000
DTEND;TZID=America/Chicago:20230314T193000
DTSTAMP:20260404T035119
CREATED:20230302T182219Z
LAST-MODIFIED:20230302T182219Z
UID:2349-1678816800-1678822200@crosstownconcourse.com
SUMMARY:Dave Spencer Quartet
DESCRIPTION:The Central Atrium\nTuesday\, March 14\, 2023\nShow begins at 6 pm\nTickets: Free \nDave Spencer\, trumpet\nAlvie Givhan\, piano\nJames Sexton\, drums\nSam Shoup\, bass
URL:https://crosstownconcourse.com/event/dave-spencer-quartet/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/03/Screen-Shot-2023-03-02-at-12.19.10-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230311T193000
DTEND;TZID=America/Chicago:20230311T210000
DTSTAMP:20260404T035119
CREATED:20230203T175535Z
LAST-MODIFIED:20230203T175627Z
UID:2250-1678563000-1678568400@crosstownconcourse.com
SUMMARY:Deepstaria Enigmatica
DESCRIPTION:Crosstown Arts presents Deepstaria Enigmatica: Memphibians Rising from the Mud\, Making Musical Moods in the Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, March 11\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $15 advance | $20 at the door \nPURCHASE TICKETS HERE \nDeepstaria Enigmatica is a quintet of improvisers from Memphis\, Tennessee\, dedicated to creating otherworldly soundscapes. Named for a rarely seen\, bell-shaped jellyfish discovered by Jacques Cousteau\, the group’s every note is inspired by that famous ocean explorer’s sense of discovery. But don’t assume the five veteran musicians create only chaos: they are as attuned to melodies and harmonies as they are to fine gradations of noise. What emerges with each extemporaneous performance can range from dark swirls of frenetic fury\, to interplanetary hard bop\, to sunlit\, ambient dreamscapes punctuated with snatches of folk song. \nThe diverse experience of the players sets the tone for their deep dives: \nDavid Collins is the composer and guitarist behind Frog Squad\, a Memphis group who have blended jazz improvisation with visionary music as disparate as that of Horace Silver and Erik Satie; he’s equally at home playing simple\, unfettered guitar lines or rocking\, effects-drenched rave ups. \nChad Fowler played alto saxophone with both Frank Lowe and George Cartwright in the 1990s\, and now teams up with the likes of William Parker\, Kidd Jordan\, Ivo Perelman\, Zoh Amba\, Matthew Shipp\, or Brian Blade for music released on the Mahakala Music label; in Deepstaria Enigmatica\, he also plays bass flute and an Otamatone portable synthesizer. \nKeyboardist Alex Greene first studied musique concrète and computer synthesis with composer Judy Klein in the 1980s\, before playing in a variety of Memphis groups ranging from Alex Chilton to Big Ass Truck to Reigning Sound\, not to mention over twenty years of work with New York composer Dave Soldier; now he improvises with multiple keyboards simultaneously\, including a vintage Roland Juno-106. \nSince completing his jazz studies at the University of Memphis in 2016\, drummer Jon Harrison has cast a wide stylistic net with the groups he’s joined\, which include the Southern Comfort Jazz Orchestra\, Frog Squad\, Hope Calyburn’s Soul Scrimmage\, Joe Austin\, Roderick Duran\, PXLS\, and the Church Brothers. \nBassist Khari Wynn\, best known as the guitarist for hip hop sensations Public Enemy\, regularly tests more unorthodox waters with groups such as Energy Disciples\, often under the name Mysterioso Africano. \nTogether\, these five musos cohere with a surprising unity of purpose\, as their listening and playing gel into what often sound like prepared compositions. Sharing an uncanny telepathy\, they transport listeners to new worlds of musical possibility.
URL:https://crosstownconcourse.com/event/deepstaria-enigmatica/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/02/Screen-Shot-2023-02-03-at-11.45.39-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230311T180000
DTEND;TZID=America/Chicago:20230311T193000
DTSTAMP:20260404T035119
CREATED:20230302T175505Z
LAST-MODIFIED:20230302T175505Z
UID:2343-1678557600-1678563000@crosstownconcourse.com
SUMMARY:Ole Miss Jazz Combo
DESCRIPTION:The Central Atrium\nSaturday\, March 11\, 2023\nShow begins at 6 pm\nTickets: Free \nWith a lineage that goes back to the late 1890s\, the University of Mississippi’s jazz ensemble is one of the oldest in the nation. By 1927\, the group adopted the name “The Mississippians\,” which is still in use today by the premier ensemble of Ole Miss Jazz. Throughout the 20 th century\, Ole Miss Jazz groups performed regularly at social functions on campus\, gave concerts\, and toured throughout the South. More recently\, Ole Miss Jazz groups have performed at the Notre Dame Collegiate Jazz Festival in South Bend\, IN\, the National Convention of the Jazz Education Network\, and the Umbria Jazz Festival in Italy. The Mississippians Jazz Ensemble will perform this summer at Jazz à Juan and Jazz in Marciac festivals in France and Jazzaldia in Spain. \nDirected by Dr. Michael Worthy\, Ole Miss Jazz includes two 18-piece big bands (The Mississippians and The Collegians)\, two student combos\, a faculty combo\, a traditional jazz combo\, and the UM Salsa Project in collaboration with the Percussion Studio under the direction of Prof. Ricky Burkhead. \nLearn more at: www.jazz.olemiss.edu
URL:https://crosstownconcourse.com/event/ole-miss-jazz-combo/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/03/Screen-Shot-2023-03-02-at-11.52.42-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230310T180000
DTEND;TZID=America/Chicago:20230310T200000
DTSTAMP:20260404T035119
CREATED:20230224T183420Z
LAST-MODIFIED:20230224T183502Z
UID:2311-1678471200-1678478400@crosstownconcourse.com
SUMMARY:MAR10 Day
DESCRIPTION:The Central Atrium\nFriday\, March 10\, 2023\nEvents: 6-8 pm\nTickets: Free and open to the public \nMar10 Day is an annual salute to the entire Mario franchise. It takes place on March 10 each year because the date\, written as “Mar10\,” looks uncannily like “Mario.” The event gained traction on the internet as fans of the Mario franchise shared their love for the character online. \nCrosstown Concourse will celebrate the holiday with a performance from Memphis’ own video game-themed band PXLS\, old school arcade games\, video game-themed mini golf\, a portrait booth (perfect if you’re dressing up in video game-inspired attire!)\, video game-themed temporary tattoos\, and more! \nPXLS\, returning to Crosstown Concourse in celebration of the Better Together event\, is a Memphis-based video game music cover band with their own unique take on video game music. They play classic 8-bit and 16-bit era songs and invite listeners to relive the soundtrack to their childhoods. In addition to classic console game-inspired music\, the band’s repertoire spans several genres like rock\, jazz\, and reggae.
URL:https://crosstownconcourse.com/event/mar10-day/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/02/Mar10Day_Wide_1600x640px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230309T190000
DTEND;TZID=America/Chicago:20230309T210000
DTSTAMP:20260404T035119
CREATED:20230102T220327Z
LAST-MODIFIED:20230102T220327Z
UID:2085-1678388400-1678395600@crosstownconcourse.com
SUMMARY:Crosstown Arts Film Series presents THE DISCREET CHARM OF THE BOURGEOISIE
DESCRIPTION:The Crosstown Arts Film Series presents THE DISCREET CHARM OF THE BOURGEOISIE at Crosstown Theater. \nLuis Buñuel / 1972 / 102 minutes / PG \nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nIn Luis Buñuel’s deliciously satiric masterpiece\, an upper-middle-class sextet sits down to a dinner that is continually delayed\, their attempts to eat thwarted by vaudevillian events both actual and imagined\, including terrorist attacks\, military maneuvers\, and ghostly apparitions. Stringing together a discontinuous\, digressive series of absurdist set pieces\, Buñuel and his screenwriting partner Jean-Claude Carrière send a cast of European-film greats — including Fernando Rey\, Stéphane Audran\, Delphine Seyrig\, Jean-Pierre Cassel\, and Bulle Ogier — through a maze of desire deferred\, frustrated\, and interrupted. The Oscar-winning pinnacle of Buñuel’s late-career ascent as a feted maestro of the international art house\, The Discreet Charm of the Bourgeoisie is also one of his most gleefully radical assaults on the values of the ruling class. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownconcourse.com/event/crosstown-arts-film-series-presents-the-discreet-charm-of-the-bourgeoisie/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/01/Discreet.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230309T183000
DTEND;TZID=America/Chicago:20230309T193000
DTSTAMP:20260404T035119
CREATED:20230306T220734Z
LAST-MODIFIED:20230306T220734Z
UID:2362-1678386600-1678390200@crosstownconcourse.com
SUMMARY:Standard 4-Pack
DESCRIPTION:The Central Atrium\nThursday\, March 9\, 2023\nShow begins at 6:30 pm\nTickets: Free \nStandard 4-Pack is led by Victor Sawyer and features Randy Ballard (trumpet)\, Victor Sawyer (trombone)\, Stephen Lee (piano)\, and Neal Bowen (bass)\, performing a selection of favorite jazz standards.
URL:https://crosstownconcourse.com/event/standard-4-pack/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/03/Standard4pack2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230304T193000
DTEND;TZID=America/Chicago:20230304T220000
DTSTAMP:20260404T035119
CREATED:20230110T234621Z
LAST-MODIFIED:20230110T234621Z
UID:2138-1677958200-1677967200@crosstownconcourse.com
SUMMARY:Charu Suri
DESCRIPTION:Crosstown Arts presents Charu Suri in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, March 4\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 ($10 students) \nPURCHASE TICKETS HERE \n“Charu’s raga-based improvisations are singular.” – Multi Grammy-award winning pianist Arturo O’Farrill \nPianist and composer Charu Suri treads fearlessly between genres\, pulling global influences that range from the mood-anchoring Indian ragas\, Sufi music\, to the trio. Her ground-breaking albums\, The Book of Ragas\, and its sequel\, The Book of Ragas vol. 2 have often elicited the response\, “I’ve never heard this type of sound before.” \nOne of the few female composers from India to perform work at Carnegie Hall\, Charu has lived in four continents\, and writes music that reflect her journey as both a traveler and her training as a classical music piano prodigy. She has been playing the piano since the age of five\, and performing since the age of nine\, and one of her best memories is winning an international piano competition at the age of 15. \nWhat started purely as an experiment with her “Book of Ragas” has turned into a niche that she is now increasingly becoming known for. Her latest album is RAGAS & WALTZES\, a first collaboration between her and Preservation Hall’s jazz drummer\, Joe Lastie. \nIn this album\, dedicated to her late father\, she explores European waltzes through her own jazz lens. The album also includes two ragas\, performed by guitarist Noshir Mody and flutes by Al Jewer. RAGAS & WALTZES has received a lot of praise from critics. JAZZIZ Magazine has praised its classic reinvention of the European waltz\, and All About Jazz said\, “These are all Suri originals\, with which she creates a mood that is a mix\, tune-by-tune\, of longing and solemnity\, then of a lilting and uplifting beauty\, segueing into tender reverence that shifts gear into a segment of lively swing before drifting back to loving respect. And that swing is surely inspired by New Orleans’ Preservation Hall Jazz Band’s drummer\, Joe Lastie\, Jr.\, sitting in the recording session’s drummer’s chair.” \nBut she is no stranger to the art of the Songbook too (attribute this to her listening to numerous records of Bill Evans and Billie Holiday as a kid). “The New American Songbook” has garnered many awards\, including a “Band Single of the Year” crystal trophy for her song\, Bluesy\, awarded by the International Singer-Songwriters Association (ISSA) in 2021. \nCharu has performed at Lincoln Center and other prestigious concert halls around the world\, including St. Croix in the U.S. Virgin Islands. She often performs with her band\, and sometimes as a soloist. She embarks on a multi-city RAGAS & WALTZES tour to India starting with a performance at the National Center for the Performing Arts (NCPA) in Mumbai\, on September 16th.
URL:https://crosstownconcourse.com/event/charu-suri/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/Charu-Suri-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230303T193000
DTEND;TZID=America/Chicago:20230303T210000
DTSTAMP:20260404T035119
CREATED:20230126T222812Z
LAST-MODIFIED:20230126T223729Z
UID:2215-1677871800-1677877200@crosstownconcourse.com
SUMMARY:Patrice Williamson\, Jenna McLean\, and Deborah Swiney
DESCRIPTION:Crosstown Arts presents Patrice Williamson\, Jenna McLean\, and Deborah Swiney with the Michael Shults Quartet in the Green Room. \nThe Green Room at Crosstown Arts\nFriday\, March 3\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 at the door | $10 student tickets available \nPURCHASE TICKETS HERE \nThree of the most legendary women in jazz unite for one special performance\, backed up by the Michael Shults Quartet. \nPATRICE WILLIAMSON \nJazz Times magazine states that “Patrice Williamson isn’t a singer\, she’s a one-woman jazz sampler. –­ She is a woman of many voices\, each distinctly intriguing all distinctly her own.” \nPatrice Williamson’s childhood home in Memphis\, Tennessee\, was filled with song. Her late father\, Webster Williamson\, an avid amateur singer\, choir director\, and pillar of the St. Stephen’s Baptist Church music ministry\, introduced his children to both sacred music and the secular styles of greats like Louis Armstrong\, Nat King Cole\, and Lena Horne. With the encouragement of her mother\, Lillie Rivers Williamson\, Patrice followed in the footsteps of her elder sister\, Denise\, taking up the violin and making her debut at age four. From then on\, she was hooked on music and performing. \nA favorite of the Boston music scene\, Patrice’s sensitive ballad work and fluent scat style have garnered invitations to perform at the famed Blue Note Jazz club in New York City\, and with many well-known instrumentalists such as Danilo Perez\, Joe Lovano and Terri Lyne Carrington. As a Professor of Voice at Berklee College of Music\, her work has taken her to Perugia\, Italy\, Seoul\, South Korea\, Peru and India\, where she performed with saxophonist Donald Harrison in the New Delhi Jazz Festival. \nHer independent recordings\, My Shining Hour and Free to Dream\, have received high praise from jazz critics around the country. In 2014 Patrice started The Ella Project\, a multi-faceted tribute leading up to Ella Fitzgerald’s 100th birthday\, including a concert series\, biographical performance\, and recordings\, including Comes Love\, an album celebrating the collaboration between Fitzgerald and legendary guitarist Joe Pass. \nJENNA MCLEAN \nJenna McLean is a jazz vocalist and Lecturer in Music and Entertainment at the University of Memphis Lambuth in Jackson\, Tennessee. As an accomplished performer\, vocal technician\, songwriter\, and educator\, she finds her artistic drive in bringing new twists to timeless standards of the Great American Songbook as well as pop\, funk\, and soul tunes. With a love and devotion for jazz\, opera\, R&B\, and folk music\, she maintains the belief that all music is good music as long as it speaks to the soul and grooves. \nJenna was the 2019 winner of the Downbeat Student Music Awards Graduate Vocal Soloist Category\, and a 2019 recent recipient of the Pathways to Jazz Grant. She performs regularly at renowned Colorado Jazz Venues including Dazzle and Nocturne\, and has performed and presented multiple times at the Jazz Education Network conference and the Five Points Jazz Festival in Denver. She has had the pleasure of performing alongside renowned musicians such as Bobby McFerrin\, Aubrey Logan and the New York Voices\, and also performs regularly with incredible Denver-based jazz musicians such as Steve Kovalcheck\, Ben Markley\, Eric Gunnison\, Tom Amend\, Dawn Clement\, Annie Booth and others. \nDEBORAH SWINEY \nDeborah Swiney has definitely earned the title of a true chanteuse. Throughout her performance\, you get to enjoy a trip back to Harlem to experience the iconic era of Billie Holiday\, Ella Fitzgerald\, and Sarah Vaughn; you get to dance across the Great American Songbook; and you get to take a flight to Rio where you could close your eyes and imagine relaxing on a Copacabana or Ipanema beach. Being a Memphis native\, you might even get a splash of blues. \nIn a city that loves its blues\, rock\, jazz\, and gospel\, Deborah has carved out a niche uniquely her own. This is evident with her highly praised co-produced debut album\, I Remember Rio\, a Brazilian-inspired album with “Memphis-Soul seasoning” (All about Jazz). I Remember Rio is filled with classic Bossa Nova standards and tunes written by the legendary Antonio Carlos Jobim as well as Deborah Swiney’s “Bossa Nova Casanova” and guitarist\, Ed Finney’s title song\, “I Remember Rio”. Jazz Weekly describes her as bringing “ a strong and Sarah Vaughan-esque voice to deliver soulful reads of Brazilian…” Transcending the standard definition of a Jazz songstress\, her melodic and sultry approach to Bossa Nova and other Brazilian stylings are natural without betraying her Bluff City roots.
URL:https://crosstownconcourse.com/event/patrice-williamson-jenna-mclean-and-deborah-swiney/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/Newsletter_Jan26_600x300px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230303T180000
DTEND;TZID=America/Chicago:20230303T193000
DTSTAMP:20260404T035119
CREATED:20230209T211037Z
LAST-MODIFIED:20230209T211037Z
UID:2269-1677866400-1677871800@crosstownconcourse.com
SUMMARY:Jazz Month Kick Off with Central High School Big Band
DESCRIPTION:The Central Atrium\nFriday\, March 3\, 2023\nShow begins at 6 pm\nTickets: Free \nFounded in 1909 and known as “THEE” high school because Central was the first High School in Memphis\, the bandprogram was vital to the school culture from its inception. The award-winning Memphis Central High School Jazz Bandhas been in existence for many years and has produced many talented musicians such as pianist James Williams\, saxophonist Gary Topper\, pianist Dr. Ashley Davis. The band has been the winner of the University of Memphis JazzBand festival as well as Jazz Festivals in St. Louis; Mobile\, AL; in Disney World; and others around the mid-South. Central High SchoolJazz Band students are routinely members of the West Tennessee School Band and Orchestra Association’s All-West Jazz Band as well as Tennessee’s All-State Jazz Band. The Jazz Band was selected\, through a blind peer review process as a finalist for the 2014\, 2015\, 2017\, and 2019 Savannah Swing Central National Jazz BandCompetition in Savannah\, GA. The band won the Jean Faircloth award and first place in 2019. In 2020\, The Memphis Central High School Jazz band was named finalist for the 25 th and 26 th Annual Essentially Ellington Competition and Festival. More recently\, the jazzband was selected and performed at the 2022 Tennessee Music Educators State Conference and the 2023 Jazz Education Network International Conference. The Jazz band is one of several performing ensembles in the Central High band program which includes marching band\, wind ensemble\, symphonic band\, concert band\, pep band\, percussion ensemble\, as well as other small chamber ensembles.
URL:https://crosstownconcourse.com/event/jazz-month-kick-off-with-central-high-school-big-band/
LOCATION:Central Atrium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230302T190000
DTEND;TZID=America/Chicago:20230302T213000
DTSTAMP:20260404T035119
CREATED:20230102T220953Z
LAST-MODIFIED:20230102T220953Z
UID:2087-1677783600-1677792600@crosstownconcourse.com
SUMMARY:Crosstown Arts Film Series presents WINGS OF DESIRE
DESCRIPTION:The Crosstown Arts Film Series presents WINGS OF DESIRE at Crosstown Theater. \nWIM WENDERS / 1987 / 128 minutes / PG-13\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nWings of Desire is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel\, an angel perched atop buildings high over Berlin who can hear the thoughts — fears\, hopes\, dreams — of all the people living below. But when he falls in love with a beautiful trapeze artist\, he is willing to give up his immortality and come back to earth to be with her. Made not long before the fall of the Berlin wall\, this stunning tapestry of sounds and images\, shot in black and white and color by the legendary Henri Alekan\, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownconcourse.com/event/crosstown-arts-film-series-presents-wings-of-desire/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2023/01/WingsofDesire.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230228T193000
DTEND;TZID=America/Chicago:20230228T223000
DTSTAMP:20260404T035119
CREATED:20221207T231008Z
LAST-MODIFIED:20221207T231008Z
UID:2006-1677612600-1677623400@crosstownconcourse.com
SUMMARY:The Freedom Affair
DESCRIPTION:Crosstown Arts presents The Freedom Affair in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, February 28\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $20 | $15 in advance \nPURCHASE TICKETS HERE \n“The vibe is very early ’70s soul flirting with both gospel and a few psychedelic R&B touches\, and their choir of voices should appeal to both the dusty soul junkie and the choral aficionado who deeply appreciates group singing.” – TANKBOY \nThe Freedom Affair is a 9-piece soul juggernaut from Kansas City\, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. \nWith their debut album Freedom Is Love\, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air\, an Apple commercial\, a Netflix series\, etc… This band is just getting started. \nThe Freedom Affair’s live shows have proven to be soul-stirring\, transformative events moving audiences both physically and emotionally to joy\, tears\, and elation. Crowds rave about the fireworks these folks bring to the stage. Run\, don’t walk\, to catch one of this band’s live shows.
URL:https://crosstownconcourse.com/event/the-freedom-affair/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/12/freedomaffair.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230226T180000
DTEND;TZID=America/Chicago:20230226T210000
DTSTAMP:20260404T035119
CREATED:20221209T231140Z
LAST-MODIFIED:20230110T220123Z
UID:2017-1677434400-1677445200@crosstownconcourse.com
SUMMARY:Mahogany Chamber Music Series: “Vocal Juggernauts” at Crosstown Arts
DESCRIPTION:Crosstown Arts presents the Mahogany Chamber Music Series: “Vocal Juggernauts” at Crosstown Theater. \nCrosstown Theater\nSunday\, February 26\, 2023\nDoors at 5:30 pm | Concert at 6 pm\nTickets: $20 | $5 students \nPURCHASE TICKETS HERE  \nThe Mahogany Chamber Music Series is a series of three chamber music concerts curated by Dr. Artina McCain\, spotlighting Black and other underrepresented composers and performers. \nFeaturing: \nAngela Yoon\, soprano \nPaulina Villareal\, mezzo soprano \nMarcus King\, tenor \nJason Terry\, piano \nArtina McCain\, piano \nAngela Yoon\, soprano \nColoratura soprano Angela Yoon is known for her delightful and beautifully expansive voice and her ability to deliver texts through music. As a soprano soloist\, she has been named as a winner and finalist in various competitions and has performed solos\, recitals\, and concerts as a guest artist throughout the United States\, South Korea\, Germany\, Canada\, and France. Her performances include a wide range of genres. She has been featured on radio broadcasts and recordings such as National Public Radio (NPR) and appeared as the soloist and principal artist in oratorios\, cantatas\, and operas including Poulenc’s Gloria\, Phan’s Vietnamese Requiem\, Orff’s Carmina Burana\, Handel’s Esther\, Haydn’s Nelson Mass and Missa Brevis St. Joannis de Deo\, Willcock’s Magnificat\, Allegri’s Miserere\, Bach’s St. John’s Passion\, and Perez-Velazquez’s Ídolos del Sueño. Her roles have included Kitty (The Last Savage)\, Thi Mao (The Tale of Lady Thị Kính)\, La fée (Cendrillon)\, Madame Goldentrill (Impresario)\, Sandman (Hansel and Gretel)\, the Plaintiff (Trial by Jury)\, and Mabel (The Pirates of Penzance). \nShe is interested in creating interdisciplinary musical experiences for her audiences through collaborating with other fields such as visual art\, science\, social justice\, history\, and even political science. Her current performance programs include WWI program Broken Harmony: Reconstructing Art\, diversity concert program Colorful Harmony: Melodies from Near and Far\, and a social justice concert program on refugee\, human trafficking\, marginalized youth\, and undocumented immigrants entitled Songs of Hope: Unveiling Darkness. Songs of Hope will be premiered at Birmingham Museum of Art in the fall of 2022 followed by performances at Johns Hopkins University and Carnegie Hall. \nShe serves on the voice faculty at Belmont University\, and prior to Belmont she was on the faculty at Samford University and Baylor University. As an educator\, Yoon has had diverse experiences with musicians and non-musicians alike. Her voice and musical theatre major students have been accepted to music schools in the U.S. and abroad as well as professional opera houses\, theaters\, and cruise lines. Non-musicians\, too\, have benefited from her expertise in vocal pedagogy and voice therapy\, helping to place them in nationally-syndicated broadcasting companies. \nPaulina Villareal\, mezzo soprano \nMexican mezzo-soprano Paulina Villarreal is a prominent recitalist\, cabaret\, operatic\, and musical theater singer around the United States and Mexico. A graduate of the Cincinnati College-Conservatory of Music\, Dr. Villarreal has been a soloist and resident artist in important companies and orchestras around the United States like Opera Saratoga\, Cincinnati opera\, Opera Fusion: New Works\, the prestigious Tanglewood Music Center\, the Boston Pops (Boston\, MA)\, Opera Memphis\, Opera Steamboat\, Princeton Symphony Orchestra\, Cincinnati Symphony Orchestra\, Kentucky Symphony Orchestra\, Appalachian Symphony Orchestra and the Decatur Millikin Symphony Orchestra. In the entrepreneurship and administrative world\, Dr. Villarreal is the founder and artistic director of the annual concert series “Cantos para Hermanar al Mundo”\, devoted to the promotion of classical vocal genres hosted in Northern Mexico. She is currently a professor of voice at the University of Memphis Rudi E. Scheidt School of Music\, and the Young Singer Program Director at the Hawaii Performing Arts Festival\, a prestigious summer training program in the United States. \nTrained as a classical vocalist\, Villarreal is now in demand for her singing versatility in musical theater\, and commercial music genres. An advocate of new music and crossover works\, she has closely collaborated with contemporary American composers like William Bolcom\, Laura Kaminsky\, Ricky Ian Gordon and Derek Bremel\, and recognized by important foundations like the Kurt Weill Foundation in New York\, and the Comic Opera Guild in Michigan for performing a wide variety of vocal genres. \nRecent performance credits and career highlights include the world premiere of Mango Suite with the Princeton Symphony\, Simply Sondheim: Stephen Sondheim’s 85th Birthday Celebration with the Boston POPS\, Sondheim vs Webber with the Kentucky Symphony Orchestra\, Macy’s ArtWave Sampler with the Cincinnati Symphony Orchestra\, Alma de España with Cincinnati Song Initiative\, featured performances with the Wagner Society of Cincinnati\, HPAF’s Hollywood Hits season opener at the Big Island of Hawaii\, a tour of William Bolcom’s Complete Cabaret Songs (Die Neue Galerie\, NYC; National Women Museum of Arts\, Washington DC\, Cohen Studio Theater\, Cincinnati) and multiple recitals promoting her extensive research on Mexican composer Maria Grever. \nMarcus King\, tenor  \nMarcus King is a graduate of the University of Memphis with a bachelor’s degree in music education\, cum laude\, and a master’s in vocal performance. In the summer of 2009\, he premiered the John Baur opera Magdala at the Chautauqua Institute in Chautauqua\, NY\, in the role of St. Peter. During the summer of 2008\, he attended the International Institute of the Vocal Arts program in Chiari\, Italy\, studying with Mrs. Mignon Dunn. His home voice teacher is Pamela Gaston of the University of Memphis. He is the 2010 first-place winner of the Memphis Beethoven Club Competition\, district winner of the Metropolitan Opera National Council auditions (2008 and 2009) and first-place winner of the N.A.T.S competition district level in Memphis\, TN. He also participated in the AIMS program in Graz Austria\, where he made it to the finals of the annual Aims Meistersinger Competition. In 2013 he made his European debut in Norfolk\, England\, as Demetrius in the Yorke Trust Summer Opera production of Britten’s Midsummer Night’s Dream and in 2014 rejoined the company as Ubalde in Gluck’s Armide. In December of 2014\, he traveled to Japan as a soloist in the New York-based professional touring group\, D&P Joubert LLC/ The Glory Gospel Singers. He has been a young artist for the Utah Festival Opera as well as The Charlottesville Opera\, formerly known as Ash Lawn Opera. For Charlottesville Opera\, he played the role of Monterone in Verdi’s Rigoletto. For Opera Memphis\, he has had many solo roles\, such as Mr. Gobineau in The Medium\, Aeneas in Dido and Aeneas\, Samuel in Pirates of Penzance\, Joe Harland in Later the Same Evening\, and the doctor in La Traviata. In the Spring of 2018\, he played the role of Erminio in The Triumph of Honor for Opera Memphis’ Midtown Opera Festival. Soon after\, he debuted at Opera on the Rock in Little Rock Arkansas\, in a new work entitled Troubled Island \nJason Terry\, piano \nPraised for his “passion and commitment” at the keyboard\, Jason Terry has given performances throughout North America\, Asia\, and Europe as both a soloist and collaborative pianist. His performances have been broadcast on NPR stations from border to border. During the 2022—23 season\, he will appear throughout the U.S. including Carnegie Hall\, the Peabody Institute\, and the National World War I Museum. In addition to live performances\, he was recently invited to serve as a recording artist for Steinway’s Spirio piano and is a recording artist for a forthcoming music theory textbook which promotes diverse examples of literature. An artist-teacher\, he continues to serve as a piano faculty member for the world-renowned Interlochen Arts Camp and has been on faculty for the Beijing International Music Festival as a master teacher. He is an enthusiast of arts advocacy\, especially in matters of social and cultural diplomacy. Since 2017\, he has been affiliated with the NGO American Voices and has traveled to teach and perform throughout the Middle East. Moreover\, recent grants have supported his work using art to fight against social injustices such as human trafficking. \nAside from teaching and performing\, Terry is interdisciplinary in his research. Since 2020\, he has worked with physical therapist Dana Daniel Blake (DPT) to create resources for pianists to better understand the musculoskeletal system and how it most efficiently operates while sitting at the piano. So unique is this research that it was selected for presentation at the 2021 national conference of the American Physical Therapy Association and the 2022 Performing Arts Medicine Association’s International Symposium. Moreover\, this research earned him the 2022 Innovator of the Year national award from Physical Therapy Learning Institute. Alongside his interest in the physical requirements needed to play the piano is his work with the physical instrument itself. Since 2020\, Terry has been an apprentice in the piano technology field and is currently working towards earning the Registered Piano Technician (RPT) credential. Merging physical performance techniques and a comprehension of the mechanics of the instrument is the basis for a graduate piano pedagogy course he has developed. \nJason remains active as a music researcher and writer and continues to present and publish throughout the world. During this past year\, he has received invitations to present and perform on a range of diverse topics such as “Genderism & the Arts” (University of Gothenburg-Sweden)\, “Music & Cultural Diplomacy” (Tampa\, FL)\, and “The Solo Piano Literature of Hazel Scott” (University of Arizona). Since 2018\, Jason has authored and published biographies for Steinway & Sons’ Immortal Artists. His scholarship in the field of piano performance history is extensive\, and portions were recently included in the Carnegie Hall archives. Furthermore\, his investigation on the origin of the plagal-amen cadence has been accepted for presentation at several prestigious institutions around the world including Oxford University. \nDr. Jason Terry is currently Assistant Professor of Piano at Samford University where he serves as Director of Keyboard Studies. \nArtina McCain\, piano \nDescribed as a pianist with “power and finesse”\, “beautiful and fiery” (KMFA Austin) and having a “sense of color\, balance and texture” (Austin Chamber Music Center) Artina McCain\, has built a three-fold career as a performer\, educator and speaker. As a recitalist\, her credits include performances at Wigmore Hall and Barbican Centre in London\, Weill Hall at Carnegie and Merkin Hall in New York City and more. Other highlights include guest appearances with the Dallas Symphony Orchestra\, Memphis Symphony Orchestra and Fox Valley Symphony Orchestra. \nDedicated to promoting the works of Black and other underrepresented composers\, McCain curates Underrepresented Composers Concerts for multiple arts organizations. She is an American Prize winner for her solo piano recordings of these works and won a Gold Global Music Award for her recent album project Heritage. In 2021\, Hal Leonard published her transcriptions of Twenty-Four Traditional African American Folk Songs. In 2022\, she was the mistress of ceremony for the Van Cliburn International Piano Competition. \nMcCain was a featured inspirational leader in the award-winning PBS documentary series Roadtrip Nation: Degree of Impact in an episode exploring the real-world impact of professionals with doctoral degrees in and outside of academia. \nMcCain’s performances have been heard on Radio Television Hong Kong (RTHK)\, Germany’s WDR and television appearances including features on CSPAN for the MLK 50 Commemoration. McCain is a three-time Global Music Awards winner including collaborative projects I\, Too (Naxos)\, with soprano Icy Monroe\, focused on African American Spirituals and Art Songs and Shades\, a collaboration with her husband and duo partner Martin McCain. \nAfter not performing for 6 years while battling a performance injury\, she now enjoys a prolific concert career with more than 10 years of full injury recovery. She uses her recovery to serve as an advocate of musicians’ wellness–curating articles\, lectures\, and forums to educate teachers and students. Her article on performance injury and Muscle Activation Techniques was published in the Piano Magazine. McCain has presented on wellness and other topics at Universities and the Music Teachers National Association Conference and the National Conference of Keyboard Pedagogy. \nMcCain graduated cum laude from Southern Methodist University. She received her Master of Music from Cleveland Institute of Music and holds a doctoral degree from the University of Texas at Austin. Currently\, she is Associate Professor of Piano and Coordinator of the Keyboard Area at the Rudi E. Scheidt School of Music at the University of Memphis and Co-Founder/Director of the Memphis International Piano Festival and Competition. \nIn her spare time\, Artina enjoys boutique shopping\, traveling internationally and is an avid tea aficionado. \nArtina McCain is a Yamaha Artist.
URL:https://crosstownconcourse.com/event/mahogany-chamber-music-series-vocal-juggernauts-at-crosstown-arts/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/12/ARTINA-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230226T140000
DTEND;TZID=America/Chicago:20230226T160000
DTSTAMP:20260404T035119
CREATED:20230119T184716Z
LAST-MODIFIED:20230119T184716Z
UID:2187-1677420000-1677427200@crosstownconcourse.com
SUMMARY:Artist Talk: Sarah Elizabeth Cornejo and Katrina Perdue
DESCRIPTION:Crosstown Arts presents an Artist Talk with Sarah Elizabeth Cornejo and Katrina Perdue in the East and West Galleries. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Galleries at Crosstown Arts\nSunday\, February 26\, 2023\nTalks: 2-4 pm\nTickets: Free and open to the public \nCurrent exhibiting artists Sarah Elizabeth Cornejo and Katrina Perdue will discuss their work\, processes\, and influences. It’s a chance to get a special glimpse behind the curtain and better understand the art and the artists. The talks will be presented in each gallery\, which each artist speaking in the gallery where their work is on view. Sarah Elizabeth Cornejo will speak first\, and Katrina Perdue will speak second. The event is free and open to the public. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. \nShe was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize. \nKatrina Perdue is a textile artist and educator living and working in Memphis\, Tennessee. Her love for hand stitching has grown over the past twenty years from first learning machine sewing\, quickly followed by hand knitting\, and most recently to a full time studio practice focusing on the art and impact of mending and repair. She was selected to be a textile studio assistant at Penland School of Craft for a summer 2019 mending workshop\, a 2020 Arts Memphis ArtsAccelerator Grantee\, and an adjunct instructor of Textiles at the University of Memphis. \nKatrina was born and raised in the Midwest\, spent several years living in the Mid-Atlantic\, and now calls Memphis — the heart of the Mid-South — home.
URL:https://crosstownconcourse.com/event/artist-talk-sarah-elizabeth-cornejo-and-katrina-perdue/
LOCATION:Crosstown Arts
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/Newsletter_Jan18_600x300px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230224T193000
DTEND;TZID=America/Chicago:20230224T220000
DTSTAMP:20260404T035119
CREATED:20230102T211259Z
LAST-MODIFIED:20230102T211259Z
UID:2079-1677267000-1677276000@crosstownconcourse.com
SUMMARY:Jim Snidero Quartet
DESCRIPTION:Crosstown Arts presents the Jim Snidero Quartet in The Green Room. \nThe Green Room at Crosstown Arts\nFriday\, February 24\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $15 in advance | $20 at the door | $10 student tickets available \nPURCHASE TICKETS HERE \nDescribed in a recent 5-star review in DownBeat magazine as having “incredible prowess and tender musicality\,” New York saxophonist and composer Jim Snidero encapsulates what is both unique and compelling about jazz\, reflected in over 10 million plays on Spotify. Hailed as having a sound “at the highest level among his fellow alto saxophonists of the 21st century” (All About Jazz)\, and improvisation that is “mind-boggling and\, at the same time\, hugely enjoyable” (The Guardian)\, Snidero is a veteran recording artist placing in both DownBeat critic and reader polls (EMI\, Milestone\, Savant …) and sideman (Mingus big band\, Jack McDuff\, Eddie Palmieri\, Frank Sinatra …) who can truly say “been there\, done that.” \nThe players:\nJim Snidero – alto saxophone\nAlvie Givhan – piano\nLiam O’Dell – bass\nJames Sexton – drums
URL:https://crosstownconcourse.com/event/jim-snidero-quartet/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/Jim-Snidero-PR101-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230224T183000
DTEND;TZID=America/Chicago:20230224T203000
DTSTAMP:20260404T035119
CREATED:20221012T152519Z
LAST-MODIFIED:20230206T215959Z
UID:1842-1677263400-1677270600@crosstownconcourse.com
SUMMARY:Memphis Symphony Orchestra: SERENADE AND SONG – THE MSO STRINGS
DESCRIPTION:Paul and Linnea Bert Classic Accents · 2\nSERENADE AND SONG – THE MSO STRINGS\nFriday\, February 24\, 2023 · 6:30pm\nCrosstown Theater \nPurchase tickets here \nKalena Bovell\, conductor \nMarcus King\, baritone\nSTILL Danzas de Panamá\nTCHAIKOVSKY  Serenade for Strings\nRAVEL Mother Goose Suite\nCOPLAND Old American Songs \nKalena Bovell and the MSO Strings plumb the musical depths of the music for strings.
URL:https://crosstownconcourse.com/event/memphis-symphony-orchestra-dark-with-excessive-bright-the-mso-strings/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/10/DCX_4217-1450x940-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230223T193000
DTEND;TZID=America/Chicago:20230223T210000
DTSTAMP:20260404T035119
CREATED:20230119T175556Z
LAST-MODIFIED:20230119T175556Z
UID:2184-1677180600-1677186000@crosstownconcourse.com
SUMMARY:Making Movies
DESCRIPTION:Crosstown Arts presents Making Movies in The Green Room. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Green Room at Crosstown Arts\nThursday\, February 23\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 \nPURCHASE TICKETS HERE \nBio: English (Spanish below) \nMaking Movies is a psychedelic Panamanian band that makes American music with an asterisk: because Making Movies’ sound encompasses the entirety of the Americas. It’s through this broader perspective that Making Movies crunches classic rock into Latin American rhythms — African-derived percussion and styles like rumba\, merengue\, mambo and cumbia — in a way that feels oddly familiar\, yet delivers the invigorating chills of hearing something singularly special. \nOver the course of their career\, the quartet has turned heads as a Tiny Desk newcomer (with “A La Deriva”)\, a voice for immigrant rights (with “I Am Another You” which reached #3 on Billboard‘s Latin Pop Album chart)\, and as a co-writer alongside salsa icon Rubén Blades (with Latin GRAMMY nominated song “No Te Calles”). \nMaking Movies has toured extensively\, appearing with the likes of Arcade Fire\, Rubén Blades\, Los Lobos\, Hurray For the Riff Raff\, Bomba Estereo\, Galactic\, Flor De Toloache\, and Thievery Corporation. The band’s fourth album XOPA was just released on L.A.-based label Cósmica Artists. \n\n\n\n\n\n\n\nen Español: \nYa sea que canten en inglés o en español\, o que toquen guitarras eléctricas o instrumentos autóctonos\, Making Movies está causand un revuelo por su sonido original descrito por Rolling Stone como “una mezcla ecléctica de percusión de rumbero\, órganos delicados y rock grunge distorsionado.” \nDurante el transcurso de su carrera\, el cuarteto ha llamado la atención como debutante en Tiny Desk (con “A La Deriva”)\, como voz en pro de los derechos de inmigrantes (con “I Am Another You”\, que llegó al n.° 3 en la lista de álbumes de Pop Latino de Billboard)\, y como coautores con el ícono de la salsa Rubén Blades (con el tema “No Te Calles” nominado a un GRAMMY Latino). \nLa banda emplea un complemento normal rock de guitarra/bajo/batería/percusión\, pero sus miembros incorporan sintetizadores\, efectos e instrumentos autóctonos de América Latina a su música. Entretejen estilos tan diversos como la cumbia y el blues\, la salsa y el soul\, el son cubano y el rock’n’roll — todo combinado para formar su propio sonido original. \nMaking Movies ha realizado muchas giras\, presentándose con figuras tales como Arcade Fire\, Rubén Blades\, Los Lobos\, Hurray For the Riff Raff\, Bomba Estéreo\, Galactic\, Flor de Toloache y Thievery Corporation. El cuarto álbum de la banda se lanzará durante el verano del 2022\, bajo el sello Cósmica Artists de Los Ángeles. \n“por su contenido y sonido\, uno de los mejores albums del año” – National Public Radio \n“(Making Movies)\, íconos del movimiento pro-inmigrante” – Chicago Tribune \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://crosstownconcourse.com/event/making-movies/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2023/01/Making-Movies-2-Credit_-Travis-Young.jpg
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END:VCALENDAR