BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Crosstown Concourse - Come Curious - ECPv6.15.8//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Crosstown Concourse - Come Curious
X-ORIGINAL-URL:https://crosstownconcourse.com
X-WR-CALDESC:Events for Crosstown Concourse - Come Curious
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20231029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220623T193000
DTEND;TZID=Europe/London:20220623T193000
DTSTAMP:20260417T152139
CREATED:20220623T211143Z
LAST-MODIFIED:20220623T211143Z
UID:1138-1656012600-1656012600@crosstownconcourse.com
SUMMARY:Jonathan Wires Quintet
DESCRIPTION:Originally from New Hampshire\, bassist\, composer\, and educator Jonathan Wires received his Bachelor of Arts in Music Performance from the University of Memphis. During the early 2000’s he spent a lot of time developing his craft and recording with many of Memphis’ local musicians including Mark Franklin\, Ross Rice\, Joyce Cobb\, Chris Parker\, Kelly Hurt\, Paul Taylor\, Art Edmaiston\, Jim Spake\, and more. In 2010\, he pursued a Master’s Degree in Jazz Studies from Middle Tennessee State University\, which brought him to Nashville\, TN. In addition to performing and composing\, Jonathan has been an active educator at both Middle Tennessee State University and Nashville State Community College. \nBuy Tickets Here: https://www.eventbrite.com/e/jonathan-wires-quintet-at-crosstown-arts-tickets-348416241357
URL:https://crosstownconcourse.com/event/jonathan-wires-quintet/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/06/TTInputIm1-768x1024-990000000003cf3c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220623T173000
DTEND;TZID=Europe/London:20220623T173000
DTSTAMP:20260417T152139
CREATED:20220623T210429Z
LAST-MODIFIED:20220623T210429Z
UID:1135-1656005400-1656005400@crosstownconcourse.com
SUMMARY:Black Music Month Pop-Up Series: NicoTheGoddess
DESCRIPTION:Each Thursday in June\, Crosstown Arts presents a special Black Music Month pop-up series in the Central Atrium. All performances are free and open to the public. NicoTheGoddess is a singer/songwriter and classical violist from North Little Rock\, AR. Classically trained in viola and voice\, She has utilized those talents to ultimately create her own unique signature in alternative R&B music.
URL:https://crosstownconcourse.com/event/black-music-month-pop-up-series-nicothegoddess/
LOCATION:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/06/Screen-Shot-2022-06-10-at-4.06.53-PM-768x1111-990000000003cf3c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220623
DTEND;VALUE=DATE:20220624
DTSTAMP:20260417T152139
CREATED:20220623T205910Z
LAST-MODIFIED:20220624T003842Z
UID:1130-1655942400-1656028799@crosstownconcourse.com
SUMMARY:Crosstown Concourse is Hiring!
DESCRIPTION:Crosstown Concourse is hiring a full-time Visitor Services Coordinator to manage the front-of-house\, central atrium area\, and welcome visitors\, residents\, students\, and employees to the building. Click the link to learn more and apply! \nhttps://recruiting.paylocity.com/recruiting/jobs/Details/1053876/Commercial-Advisors-LLC/Customer-Services-Coordinator
URL:https://crosstownconcourse.com/event/crosstown-concourse-is-hiring/
LOCATION:Crosstown Concourse\, 1350 Concourse Ave\, Memphis\, TN\, 38104\, United States
ATTACH;FMTTYPE=image/png:https://crosstownconcourse.com/wp-content/uploads/2022/06/MINIPHOTOSHOOTSYOGAEDITION-990000079e028a3c.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220617T193000
DTEND;TZID=Europe/London:20220617T213000
DTSTAMP:20260417T152139
CREATED:20220519T230146Z
LAST-MODIFIED:20220520T012638Z
UID:472-1655494200-1655501400@crosstownconcourse.com
SUMMARY:Garrison Starr: Eighteen Over Me 25th Anniversary Tour
DESCRIPTION:Doors 6:30pm / Show 7:30pm \nTickets: $25 advance / $30 day of the show / $75 VIP \nCrosstown Arts presents Garrison Starr at Crosstown Theater\, celebrating the 25th anniversary of her major label debut LP Eighteen Over Me. \n“One of the strongest voices in town… the author of affecting\, emotion-bearing songs that are clothed in attractive\, melodic garb” — Billboard \n“An unmistakable songwriting talent” — PopMatters \n“Incredible singer and songwriter and one of the brightest talents that music has ever seen” — Margaret Cho \n“Writes and sings her heart out. In the ‘American Idol’-ized landscape that constitutes today’s music business\, she is someone to be thankful for” — Mary Chapin Carpenter \nAfter two milestone-laden decades in music\, Garrison Starr is going back to where it all began to celebrate the 25th anniversary of her major label debut LP Eighteen Over Me with a tour and a highlighted show in Memphis\, TN at the legendary Crosstown Theater\, where she will be performing the record in it’s entirety and recording that performance to release as a live LP later this year. \nOriginally hailing from Hernando\, MS\, Garrison released her major label debut\, Eighteen Over Me\, in 1997 for Geffen Records. The album was critically acclaimed and is still loved by its fans. Starr made her home in the Memphis music scene in the mid-90s\, working at famed Ardent Studios and playing shows every chance she got. Her triumphant song “Superhero” caught the attention of A&R rep Ray Farrell\, and she signed a deal in 1996. The majority of the record was written within the year\, and was released in Sept. of 97’. Starr notes her favorite touring experiences from back in those days were with The Sundays soon after the record’s release and playing Lilith Fair\, where she met some of her heroes and future collaborators: Mary Chapin Carpenter\, The Indigo Girls\, Bonnie Raitt and Sara Maclachlan. \nSince then\, she’s toured the world and back\, she’s received a GRAMMY nomination\, has had her songs placed in hundreds of movies\, TV shows and commercials\, was featured in a 2022 Super Bowl commercial for T-Mobile staring Dolly Parton and Miley Cyrus and has released a dozen albums while also writing songs for others such as Back Street Boys and Kris Allen. \nBut there’s nothing quite like your first LP. No matter what else you accomplish\, there’s always something special about the first thing you present to the world. And that’s something to celebrate. \nAbout Garrison Starr: \nGarrison Starr is the quintessential musical triple-threat – singer\, songwriter\, record producer – and her latest album\, Girl I Used To Be\, reveals her at the height of all her powers. \nStarr is a celebrated singer of such remarkable reputation that music icons go out of their way to praise her. Glen Phillips declares\, “Garrison’s voice goes straight to the gut. She reminds you of what it means to be human.” Mary Chapin Carpenter adds\, “She just writes and sings her heart out. In the ‘American Idol’-ized landscape that constitutes today’s music business\, she is someone to be thankful for.” \nOf her songwriting\, Billboard Magazine describes Starr as “the author of affecting\, emotion-bearing songs that are clothed in attractive\, melodic garb.” That unique melodic sense is the foundation for Starr’s songwriting acclaim and why she’s found such success writing for TV\, commercials\, and film – where her songs have been featured numerous times. \nHer frequent collaborations with other artists have been both in the studio and on stage – Starr has toured with the likes of Steve Earle\, Emmylou Harris\, Bruce Cockburn\, Patty Griffin\, Mindy Smith\, and Melissa Etheridge (to name a few)\, logging hundreds of thousands of touring miles across the country and around the world. \nIn 2016\, Starr collaborated with Margaret Cho\, producing and performing on her Grammy-nominated album\, American Myth. Pulling no punches\, Cho paints Starr as “an incredible singer and songwriter and one of the brightest talents that music has ever seen. Artists like her come along once in a millennia\, and we are lucky to have her now.” \nMost recently\, Starr started a “supergroup” with Nashville songwriters Sean McConnell and Peter Groenwald to form My Sister My Brother\, who released their debut self-titled EP on March 6\, 2020. Rolling Stone called it “a gorgeous\, harmony-drenched [record] about partnership and purpose”.
URL:https://crosstownconcourse.com/event/garrison-starr-eighteen-over-me-25th-anniversary-tour/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Garrison_Starr_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220616T193000
DTEND;TZID=Europe/London:20220616T220000
DTSTAMP:20260417T152139
CREATED:20220519T225046Z
LAST-MODIFIED:20220520T012621Z
UID:461-1655407800-1655416800@crosstownconcourse.com
SUMMARY:Crosstown Arthouse presents WESTWORLD
DESCRIPTION:The Crosstown Arthouse Film Series presents WESTWORLD at Crosstown Theater. \nMichael Crighton / 1973 / 88 minutes / Rated PG \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nVisiting a theme park always provides a bit of thrill and a feeling that you are a close to danger. Imagine visiting a theme park where instead of a rickety roller coaster or weird side show\, you got to live a fantasy of time’s past but where everyone else around you is a robot you can either kill or have your way with. Now imagine those robots\, indistinguishable from other humans\, become sentient and start to not quite like your plans for them. WESTWORLD launched an entire franchise of out of control killer robots terrorizing some folks\, really just looking for a good time. With Yul Brynner (THE MAGNIFICENT SEVEN!)\, the incomparable Richard Benjamin (LOVE AT FIRST BITE! SATURDAY THE 14TH!!) and most importantly Dick Van Patten!!! (EIGHT IS ENOUGH!\, THE SHAGGY D.A.!! & MULTIPLE APPEARANCES ON THE LOVE BOAT!!! AS DIFFERENT CHARACTERS!!!) \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownconcourse.com/event/crosstown-arthouse-presents-westworld/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/WESTWORLD_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220614T193000
DTEND;TZID=Europe/London:20220614T193000
DTSTAMP:20260417T152139
CREATED:20220519T223939Z
LAST-MODIFIED:20220520T012514Z
UID:458-1655235000-1655235000@crosstownconcourse.com
SUMMARY:Peter Slavov
DESCRIPTION:Crosstown Arts presents New York-based bassist\, composer\, session musician\, arranger\, and educator Peter Slavov in the Green Room.\n\nDoors at 7pm | Show at 7:30pm \n\n\n\n\n\n\n\n\nTickets: $15 advance | $20 at the door ($10 student tickets available) \n\nBUY TICKETS HERE \n\nPeter Slavov is a New York-based bassist\, composer\, session musician\, arranger\, and educator. Since he started performing professionally in the mid-1990s\, Peter has performed at some of the most prestigious venues and festivals in more than 40 countries on 5 continents. Born to the family of legendary Bulgarian drummer Peter Slavov Sr.\, Peter (sometimes credited as Petar) has been playing bass since the age of twelve. \nWhile studying classical music at the Pipkov Music School in Sofia\, Bulgaria\, Peter discovered American jazz and soon after became the busiest bassist on the scene in Bulgaria\, playing with the country’s finest musicians and touring around Europe.In 1998 Peter received a scholarship from Boston’s famed Berklee College of Music\, and in 1999 moved to Boston to attend Berklee. In 2001\, he was awarded the Berklee Bass Department’s John Neves Memorial Scholarship Award for Outstanding Musicianship\, as well as a full scholarship. \nSince graduating from Berklee in 2002\, Peter Slavov has performed and recorded with world-renowned artists such as Joe Lovano\, Quincy Jones\, George Garzone\, Danilo Perez\, Chucho Valdes\, Kevin Mahogany\, Simon Shaheen\, Elio Villafranca\, Emily Bear and many others. Peter is a member of Grammy award-winning saxophonist Joe Lovano’s Classic Quartet and Lovano’s Us Five band. In 2012\, Us Five received the Award for Best Small Group by the Jazz Journalists Association of America. \nPeter Slavov is also featured on the most recent album by Joe Lovano and Us Five\, “Cross Culture”\, which was released on the historic Blue Note label.Peter has performed with legendary producer/arranger/composer Quincy Jones’ Global Gumbo Project. Peter has also recorded for Jones. He is featured on Cuban pianist Alfredo Rodriguez’ critically-acclaimed\, GRAMMY®-nominated album The Invasion Parade(released in 2014)\, which Quincy Jones produced. \nPeter has performed at some of the most prestigious festivals around the world\, including: \nThe Monterey Jazz Festival\, The Detroit Jazz Festival\, Festival de Jazz de Montreal\, The New Orleans Jazz & Heritage Festival\, The North Sea Jazz Festival (Holland)\, Umbria Jazz Festival (Italy)\, Jazz a Juan(France)\, Paris Jazz Festival\, Dubai Jazz Festival (UAE)\, Istanbul Jazz Festival (Turkey)\, The Israel Festival (Israel)\, Festival Chile Jazz\, and many more. \nPeter has also performed at numerous legendary performance venues\, such as: \nJazz at Lincoln Center (New York City)\, Town Hall (NYC)\,The Village Vanguard (New York City)\,Birdland (New York City)\, Blue Note (New York\, Milan\, Tokyo\, Beijing and Nagoya)\, The Fox Theater (Atlanta)\, Severance Hall (Cleveland)\, MGM Grand (Las Vegas)\,The Detroit Institute of Art (Detroit)\, Olympia Hall (Paris)\, Massey Hall (Toronto)\,The Jerusalem Theater (Jerusalem)\, Bulgaria Hall (Sofia)\, Chang Kai Shek National Theater (Taipei)\,Bimhuis (Amsterdam)\, Centro Nacional de las Artes (Mexico City)\,The Jazz Standard (New York City)\,Yoshi’s (San Francisco)\, Minton’s Playhouse (New York City)\, Dakota (Minneapolis)\, New Morning (Paris)\, La Cigale (Paris)\, Duc Des Lombards (Paris)\, Zappa (Tel Aviv) and countless more. \nHe has been featured on Fox 5 New York\, WBGO – NPR Newark\, WGBH-NPR Boston\, CBC (Canada)\, PBS\, TF1 (France)\, Mezzo (France)\, Radio France Internationale\, WERS – Boston\, Jazz FM (Bulgaria)\, BR (Germany)\, Azteca TV (Mexico)\, IMER (Mexico)\, Bulgarian National Television and the Bulgarian National Radio.
URL:https://crosstownconcourse.com/event/peter-slavov/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Peter-Slavov_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220609T193000
DTEND;TZID=Europe/London:20220609T193000
DTSTAMP:20260417T152139
CREATED:20220519T223134Z
LAST-MODIFIED:20220601T012009Z
UID:452-1654803000-1654803000@crosstownconcourse.com
SUMMARY:Crosstown Arthouse presents THE TIN DRUM
DESCRIPTION:The Crosstown Arthouse Film Series presents THE TIN DRUM at Crosstown Theater. \nVolker Schlondorff / 1979 / 163 minutes / Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nOskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society\, he refuses to grow older after his third birthday. While the chaotic world around him careers toward the madness and folly of World War II\, Oskar pounds incessantly on his beloved tin drum and perfects his uncannily piercing shrieks. THE TIN DRUM\, which earned the Palme d’Or at Cannes and the Academy Award for best foreign-language film\, is Volker Schlöndorff’s visionary adaptation of Nobel laureate Günter Grass’s acclaimed novel\, characterized by surreal imagery\, arresting eroticism\, and clear-eyed satire. \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownconcourse.com/event/crosstown-arthouse-presents-the-tin-drum/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/THE-TIN-DRUM_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220608T193000
DTEND;TZID=Europe/London:20220608T213000
DTSTAMP:20260417T152139
CREATED:20220519T223554Z
LAST-MODIFIED:20220519T223554Z
UID:455-1654716600-1654723800@crosstownconcourse.com
SUMMARY:Phillip Bond "Perfect Lover" EP Release Show at Crosstown Arts
DESCRIPTION:Phillip Bond is a 25-year-old Tennessee native whose energy illuminates into the crowd and all the way to the back of the venue. His humble stage presence is so comforting that you can’t help but dance along with him as he sings about the most meaningful and trying moments of his life. When he performs\, he pulls his audience in and unleashes every part of himself to them. Born in Jackson and raised in Memphis\, his roots bleed music\, imagination\, and authenticity. Every experience has led him to create his own unique sound within the adult contemporary genre. His ballad-heavy\, upbeat\, and easy listening tunes leave his fans feeling uplifted and satisfied. His music embodies characteristics similar to Beyonce and Prince\, that help him to envision and produce true works of art\, which is reflected through his first EP\, “Perfect Lover.”
URL:https://crosstownconcourse.com/event/phillip-bond-perfect-lover-ep-release-show-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Phillip_Bond_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220604T080000
DTEND;TZID=Europe/London:20220904T170000
DTSTAMP:20260417T152139
CREATED:20220623T210122Z
LAST-MODIFIED:20220623T210122Z
UID:1132-1654329600-1662310800@crosstownconcourse.com
SUMMARY:Art of Science
DESCRIPTION:Crosstown Arts\, Le Bonheur Children’s Hospital\, University of Tennessee Health Science Center\, and the Children’s Research Foundation Institute have come together for this amazing exhibition. \nExploring the beauty of science and the power of art\, local artists paired up with medical research scientists and clinicians from across Memphis. Together\, these scientists and artists introduce new audiences to science that is saving lives every day. Local researchers not only strive to prevent and cure childhood illnesses\, but are also making discoveries that can improve the health and well-being of all Memphians and people everywhere. Over thirty local artists will present a piece of art inspired by the work of area researchers and clinicians\, which will also be on display alongside the works of art. \nFree and open to the public.
URL:https://crosstownconcourse.com/event/art-of-science/
LOCATION:Crosstown Arts
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/06/ArtOfScience_2022_FB-AdBanner-768x403-990000079e028a3c.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220603T193000
DTEND;TZID=Europe/London:20220603T213000
DTSTAMP:20260417T152139
CREATED:20220519T222649Z
LAST-MODIFIED:20220519T234440Z
UID:449-1654284600-1654291800@crosstownconcourse.com
SUMMARY:Circuit des Yeux at Crosstown Arts
DESCRIPTION:Doors 7pm / Show 7:30pm\nTickets $20 / At the door $25 plus fees \nHaley Fohr is a vocalist\, composer and singer-songwriter based in Chicago\, Illinois. Her musical endeavors focus around our human condition\, and her 10-year career as Circuit des Yeux has grown into one of America’s most successful efforts to connect the personal to the universal. \nShe is most distinctly identified by her 4-octave voice and unique style of 12-string guitar. Her mysterious “Jackie Lynn” project landed her on the cover of Wire Magazine in August of 2016. Her recent works include an Original Soundtrack for Charles Bryant’s silent film Salomé (1923)\, commissioned by Opera North\, and a critically acclaimed 2017 album Reaching For Indigo\, released on Drag City Records. \nCircuit des Yeux’s first studio album since 2017\, -io\, is her first for Matador Records. The sky over -io is Florida’s strange\, radiant orange. It’s a built environment\, unnatural\, made from concrete and glass\, with skyscrapers that stretch to the vanishing point as you gaze up at them. \nIt’s crumbling and suffocating\, a city perpetually on the brink of collapse\, where tension never topples over into catharsis\, where the heat never breaks. \nInside this world and its closed loop of time\, Fohr found herself able to begin moving again. “I was haunted by memories in the pandemic\,” she says. “As someone with PTSD\, memories are all twisted up inside of me in a way that doesn’t help my higher self. Making this album was once again an exercise of trying to relieve myself of some of that darkness in a way that music has always done for me.”
URL:https://crosstownconcourse.com/event/circuit-des-yeux-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Circuit-des-Yeux_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220602T193000
DTEND;TZID=Europe/London:20220602T210000
DTSTAMP:20260417T152139
CREATED:20220519T221842Z
LAST-MODIFIED:20220519T234142Z
UID:442-1654198200-1654203600@crosstownconcourse.com
SUMMARY:Anika
DESCRIPTION:Crosstown Arts presents Anika\, the project of Berlin-based musician Annika Henderson\, in The Green Room. \nTICKETS: $15 in advance | $20 day of show \nDoors at 7 pm | Show at 7:30 pm \n\n\n\n\n\n\n\n\nAnika — the project of Berlin-based musician Annika Henderson\, who is also a founding member of Exploded View — announces Change\, her first new album in over a decade. Her video for “Change” was directed by Sven Gutjahr\, who also directed the video for her recent single\, “Finger Pies.” The follow-up to cult favorite Anika (2010)\, Change is beautifully fraught. The intimacy of its creation and a palpable sense of global anxiety are seemingly baked into the album’s DNA. Spread across nine tracks\, the central feeling of the record is one of heightened frustration buoyed by guarded optimism. The songs offer skittering\, austere electronic backdrops reminiscent of classic Broadcast records or Hi Scores-era Boards of Canada\, playing them against Anika’s remarkable voice — Nico-esque\, beautifully plaintive\, and — in regard to the record’s subject matter — totally resolute. \nHaving worked collaboratively in the past with the likes of BEAK> and Exploded View\, Change was ultimately the product of necessity. After recording the initial ideas by herself at Berlin’s Klangbild Studios\, Anika was joined by Exploded View’s Martin Thulin\, who co-produced the album and played some live drums and bass. “This album had been planned for a little while\, and the circumstances of its inception were quite different to what had been expected\,” says Anika. “This colored the album quite significantly. The lyrics were all written there on the spot. It’s a vomit of emotions\, anxieties\, empowerment\, and of thoughts like — How can this go on? How can we go on?” \nRecorded at a time when literally everyone in the world was being forced to take stock\, rethink\, and reimagine their own place in the cosmos of things\, Anika provides the wisened perspective of an outsider. It’s a perspective that is not lost on the British ex- pat and former political journalist\, and despite the subject matter and the circumstances around its creation\, Change itself is ultimately a treatise on optimism. The title track presents the album’s message writ large: “I think we can change. We all have things to learn\, about ourselves and about each other.” To end the record on such a sanguine note might be one of Change’s most revolutionary gestures. \n“There’s a lot of stuff I want to change\,” says Anika. “Some things I sat down and decided last year\, I had to change about myself and my life. Sometimes it feels helpless\, because the things we want to change are so huge and out of our control. Starting with yourself is always a good place. I think we can change.”
URL:https://crosstownconcourse.com/event/anika/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Anika_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220602T193000
DTEND;TZID=Europe/London:20220602T193000
DTSTAMP:20260417T152139
CREATED:20220519T222329Z
LAST-MODIFIED:20220519T234418Z
UID:445-1654198200-1654198200@crosstownconcourse.com
SUMMARY:Crosstown Arthouse presents PEOPLE ON SUNDAY with LIVE SCORE BY KELVIN WALTERS
DESCRIPTION:The Crosstown Arthouse Film Series presents PEOPLE ON SUNDAY with LIVE SCORE BY KELVIN WALTERS at Crosstown Theater. \nRobert Siodmak & Edgar G. Ulmer / 1930 / 73 minutes / Rated M \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nYears before they became major players in Hollywood\, a group of young German filmmakers—including eventual noir masters Robert Siodmak and Edgar G. Ulmer and future Oscar winners Billy Wilder and Fred Zinnemann—worked together on the once-in-a-lifetime collaboration People on Sunday (Menschen am Sonntag). This effervescent\, sunlit silent\, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing\, offers a rare glimpse of Weimar-era Berlin. A unique hybrid of documentary and fictional storytelling\, PEOPLE ON SUNDAY was both an experiment and a mainstream hit that would influence generations of film artists around the world. Presented with a live score from Kelvin Walters. Kelvin Walters is a brilliant saxophonist\, composer and band leader\, originally from Memphis\, TN and currently studying music at The Juilliard School in New York City. \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownconcourse.com/event/crosstown-arthouse-presents-people-on-sunday-with-live-score-by-kelvin-walters/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/KELVIN_WALTERS_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220601T193000
DTEND;TZID=Europe/London:20220601T213000
DTSTAMP:20260417T152139
CREATED:20220519T220954Z
LAST-MODIFIED:20220519T234825Z
UID:438-1654111800-1654119000@crosstownconcourse.com
SUMMARY:Hubby Jenkins from the Carolina Chocolate Drops
DESCRIPTION:Crosstown Arts presents Hubby Jenkins from the Carolina Chocolate Drops in the Green Room. \nTickets: $16 in advance | $20 day of show (plus fees)\nDoors open at 7:00pm | Show begins at 7:30pm \nHubby Jenkins is a talented multi-instrumentalist who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn\, he delved into his Southern roots\, following the thread of African-American history that wove itself through country blues\, ragtime\, fiddle and banjo\, and traditional jazz. \nHubby got his higher musical education started as a busker. He developed his guitar and vocal craft on the sidewalks and subway platforms of New York City\, performing material by those venerable artists whose work he was quickly absorbing. An ambitiously itinerant musician\, he took his show on the road\, playing the streets\, coffee shops\, bars\, and house parties of cities around the country. \nAfter years of busking around the U.S and making a name for himself\, Hubby became acquainted with the Carolina Chocolate Drops. He was an integral part of the Grammy award-winning Carolina Chocolate Drops from 2010 to 2014. Since 2015 to 2018\, he was active in touring and recording member in the Rhiannon Giddens band. He was on her album “Tomorrow Is My Turn” in 2015 and in 2017 “Freedom Highway.” After these projects Hubby’s focus is on solo performances around the world. \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownconcourse.com/event/hubby-jenkins-from-the-carolina-chocolate-drops/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Hubby_Jenkins_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220531T193000
DTEND;TZID=Europe/London:20220531T213000
DTSTAMP:20260417T152139
CREATED:20220520T011307Z
LAST-MODIFIED:20220520T011307Z
UID:538-1654025400-1654032600@crosstownconcourse.com
SUMMARY:Luke Winslow-King featuring Roberto Luti
DESCRIPTION:Doors 7pm / Show 7:30pm \nTickets $15 advance / $20 at the door \n\nLuke Winslow-King is a guitarist\, singer\, producer\, and songwriter. Having spent more than 15 years in New Orleans\, his work is an eclectic mix that combines Mississippi delta blues\, folk music\, traditional jazz\, and roots rock & roll.\n\nHis songs blend contemporary ideas with styles from bygone eras\, producing a sound that is rustic\, urbane\, elegant\, and entirely his own. \nTuscan Slide Guitar Maestro Roberto Luti’s unorthodox\, angular\, and evocative slide guitar style is based on Mississippi and Chicago blues and is influenced by soul and African roots traditions. During his nearly decade-long residency in New Orleans\, Luti became an integral part of international recording project Playing For Change (PFC). He also laid the original track for One Love\, Higher Ground\, and Gimme Shelter\, which has accumulated over 100 million YouTube plays.\n  \nLuke Winslow King and Roberto Luti have toured extensively in North America and Europe\, appearing on notable stages such as Austin City Limits\, New Orleans JazzFest\, Azkena Rock Festival (Spain)\, Tønder Festival Paradiso (Netherlands)\, Glastonbury (UK)\, Byron Bay Blues Fest (AUS)\, and countless more. Recorded in Memphis\, Tennessee\, Winslow-King’s seventh full-length album “If These Walls Could Talk” is to be released May 2022 on Ghost River Records\, featuring Roberto Luti\, Rev. Charles Hodges (Al Green)\, Fat Possum recording artists The Sensational Barnes Brothers\, and was produced by Dominc John Davis (Jack White). Like all of Winslow-King’s work\, “If These Walls Could Talk” continues to propel rugged roots to the vanguard of modern artistic sensibility. \n“They’re one of the most professional\, staunchly original\, and true-to-their-core bands working today.” — American Songwriter \n“Steeped in the muddy Delta blues\, but prickles with the raunch of a more Mid-Western take on the genre.” — Consequence of Sound \n“…he demonstrate[s] a wide range of songwriting worthy of comparison to Jason Isbell and John Fullbright.” — Austin Chronicle
URL:https://crosstownconcourse.com/event/luke-winslow-king-featuring-roberto-luti/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Luke-Winslow-King_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220527T193000
DTEND;TZID=Europe/London:20220527T213000
DTSTAMP:20260417T152139
CREATED:20220520T011455Z
LAST-MODIFIED:20220520T011836Z
UID:541-1653679800-1653687000@crosstownconcourse.com
SUMMARY:The Colors of J.Buck at Crosstown Arts
DESCRIPTION:Buy Tickets Here \nCrosstown Arts presents R&B artist J.Buck in the Green Room.\n\nIt’s time the world can open its ears to the dynamic R&B sounds of J.Buck aka “Buck Nasty”. Born Joshua Buck\, this Memphis native is on his way to adding his contribution to Memphis’s music legacy. J.Buck distinguished himself as a solo artist and songwriter early in his career with unique stage presence and profound lyrics. In 2015\, Buck released his debut EP The JBuck Experience\, which the Murfreesboro Pulse cited as “a step towards the direction of this generation’s version of Marvin Gaye” At first glance\, you may confuse him for the ghost of David Ruffin or Prince with his slick style and electrifying performances. With various influences from Rock\, Blues\, and Hip-hop\, this soul brother amplifies the black male experience through love\, addiction\, and free thought.\n\nIn 2016\, Buck hosted a European tour off the sophomore album Love Matters captivating audiences with vocal range and flashy dance moves. He’s also won various competitions including IKEAs Battle of The Bands and has been featured on Sofar Sounds and South by Southwest. Back in full effect in 2020 with the latest project Bar Talk\, the album explores the reality of situationships\, addiction\, and the millennial black male experience. Spreading love and funk through his music\, J. Buck embodies the ability to musically seduce his fans giving them an experience that they can’t forget.
URL:https://crosstownconcourse.com/event/the-colors-of-j-buck-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/The-Colors-of-J.Buck_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220521T193000
DTEND;TZID=Europe/London:20220521T193000
DTSTAMP:20260417T152139
CREATED:20220520T011038Z
LAST-MODIFIED:20220520T012247Z
UID:535-1653161400-1653161400@crosstownconcourse.com
SUMMARY:The Adam Larson Trio featuring Bob DeBoo and John Kizilarmut at Crosstown Arts
DESCRIPTION:Buy Tickets Here \nCrosstown Arts presents The Adam Larson Trio featuring Bob DeBoo and John Kizilarmut in the Green Room.\n\nThis performance and workshop is made possible with the support of Jazz Road\, a national initiative of South Arts\, which is funded by the Doris Duke Charitable Foundation with additional support from The Andrew W. Mellon Foundation. \nAdam Larson (b. 1990) is an American saxophonist\, composer\, educator and author currently residing in the Kansas City-area. Larson is an endorsed artist for P. Mauriat Saxophones\, Boston Sax Shop and Key Leaves. \nLarson has released six albums under his own name and maintains an active touring schedule year-round playing his original music. Adam has been a guest artist at over 100 universities across the globe and has toured internationally in Germany\, Holland\, India\, Taiwan\, Africa\, Poland and the United Kingdom. In the U.S.\, Adam has led his own bands at storied venues such as Birdland\, Smalls\, 55 Bar\, Jazz Standard\, Dizzy’s\, The Green Mill\, The Jazz Showcase\, Dazzle\, The Jewel\, The Black Cat\, Jazz at the Bistro and Noce\, among others. \nLarson has authored twelve educational texts and produced an online masterclass that have collectively sold in more than 75 countries and maintains a robust virtual lessons studio\, working with dozens of students each month. \nLarson currently teaches in the Arts Entrepreneurship Program at UMKC\, where he previously taught jazz saxophone\, music business and jazz pedagogy. \nJohn Kizilarmut has performed with a wide range of artists and groups including Aretha Franklin\, Doc Severinsen\, Benny Golson\, Jerry Bergonzi\, Matt Wilson\, Jimmy Heath\, Branford Marsalis\, Adam Larson\, Logan Richardson\, Clark Terry\, New York Voices\, Ana Gasteyer\, Conspirare\, Shirley Jones\, DJ Starscream\, and the Des Moines Symphony. \nHe is a frequent guest performer and clinician at percussion and jazz festivals throughout the midwest\, including Texas\, Iowa\, and Nebraska Days of Percussion; Tallcorn\, Kansas City\, Cherokee\, Hannover\, and Iowa City Jazz Festivals. In 2013\, John was a featured artist along with with TOCA artist Jamal Mohamed and Marimba One artist Matthew Coley at the PASIC convention. He is also an active composer and arranger\, and his works have been featured by many award-winning music programs including the 2013 State Jazz champion Waukee High School Jazz Ensemble\, Lake Central High School Band\, several DCI Drum Corps\, and the University of Texas percussion ensemble. \nAs an educator\, John directed the 2017 Iowa All-State Jazz Ensemble\, and has served on the faculties of Drake University\, Grinnell College\, and Northwest Missouri State University. John and his son Evan currently reside in Kansas City MO\, where he is a member of the jazz studies faculty at UMKC. \nBob DeBoo was born in Fort Worth\, Texas and has been involved in music since age 10. His musical life began as a drummer in school and grunge bands\, but in his early teens he gravitated to electric bass – particularly after hearing Jaco Pastorius\, Stanley Clarke\, Marcus Miller\, and Les Claypool. His journey towards playing Jazz really took hold when he heard Ornette Coleman’s “The Shape of Jazz to Come” in High School. He found a mentor in his first upright bass teacher\, Michael Blanco. It wasn’t long before he was playing gigs all over the DFW area. \nBob’s formal music study began at the University of North Texas (1999-2001)\, where he studied with Lynn Seaton and Craig Butterfield. During this time he was playing with many great Jazz musicians in the Dallas area\, such as Marchel Ivery\, Shelley Carroll\, Quamon Fowler\, and Arlington Jones\, to name a few. In 2001 he was awarded a substantial scholarship to study music at the New School in Manhattan (2002-2004). At the New School Bob was surrounded and influenced by many amazing young musicians. His primary bass teachers during his New School days were Ben Street\, Michael Moore\, Dennis Irwin\, Cameron Browne\, and Johannes Weidenmuller. \nAfter graduating from the New School\, Bob continued playing in the New York area with great musicians such as Frank Locrasto\, Jeremy Pelt\, Logan Richardson\, Tommy Crane\, and Manuel Valera. He also became more active in playing creative bands like Josh Mease’s Superioirty Complex\, an experimental drum-n-bass group named Doctor Oscillator\, and a hip-hop group named The Piranhas. – all of which have several albums released in the early/mid-2000s. \nAn engagement to the love of his life\, Beth\, brought him to Saint Louis in 2006\, where he has resided ever since. Bob has been incredibly active in the Jazz scene\, playing with every major artist in the area. In Saint Louis he has worked often with Willie Akins\, Freddie Washington\, Denise Thymes\, Ptah Williams\, Erin Bode\, Dave Stone\, Adam Maness\, Peter Schlamb\, and Montez Coleman. A regular fixture at Jazz at the Bistro\, he has been involved with many great musicians as they travel through the area – Terrell Stafford\, Bruce Barth\, Keyon Harrold\, Adam Larson\, Allison Miller\, Peter Martin\, Matt Wilson\, Emmanuel Harrold\, Houston Person\, Johnny O’Neal\, Chad Lefkowitz-Brown\, Geoff Keezer\, among many more. Bob is also active in leading his own groups – including performances at LouFest\, Chesterfield Jazz Festival\, and at Jazz at the Bistro. He is also known for hosting a long-running Jazz jam session at the Kranzberg Arts Center in Grand Center. \nVery involved in Jazz education as well Bob has taught for years with Jazz St. Louis’ “JazzU” program\, with Jazz at Lincoln Center’s Jazz for Young People program\, Peter Martin’s Open Studio Network\, and is an adjunct bass professor at Missouri State University and Jefferson College. He has also taught private lessons to many young bassists over the years and keeps a full roster of students.
URL:https://crosstownconcourse.com/event/the-adam-larson-trio-featuring-bob-deboo-and-john-kizilarmut-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/The-Adam-Larson-Trio_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220520T193000
DTEND;TZID=Europe/London:20220526T213000
DTSTAMP:20260417T152139
CREATED:20220520T010757Z
LAST-MODIFIED:20220520T010757Z
UID:532-1653075000-1653600600@crosstownconcourse.com
SUMMARY:Anthony Wilson Record Release Show at Crosstown Arts
DESCRIPTION:Buy Tickets Here \n\nCrosstown Arts presents Anthony Wilson in the Green Room for a special record release show for his new album “The Plan of Paris.”\n\n\nA guitarist and composer/songwriter known for a wide-ranging body of musical work that moves effortlessly across genres\, Wilson has released twelve solo albums\, including his Grammy-nominated debut. The three most recent — “Frogtown\,” “Songs and Photographs\,” and “The Plan of Paris” — reveal his growing dedication to the art of songcraft as a powerful mode of musical communication. \nIn addition to his solo work\, Anthony Wilson has toured and recorded with a diverse group of legendary artists\, including Diana Krall\, Charles Lloyd\, Ron Carter\, Bobby Hutcherson\, Paul McCartney\, Willie Nelson\, Barbra Streisand\, Melody Gardot\, Aaron Neville\, and many more.
URL:https://crosstownconcourse.com/event/anthony-wilson-record-release-show-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Anthony-Wilson_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220520T193000
DTEND;TZID=Europe/London:20220520T213000
DTSTAMP:20260417T152139
CREATED:20220520T010441Z
LAST-MODIFIED:20220520T010441Z
UID:529-1653075000-1653082200@crosstownconcourse.com
SUMMARY:Ed Gerhard
DESCRIPTION:Buy Tickets Here \nCrosstown Arts presents acoustic guitarist Ed Gerhard in the Green Room. \nPerforming on 6-string\, 12-string\, slide guitar or Acoustic Hawaiian Lap Slide\, Gerhard captivates his audiences with virtuosity\, generosity and sly humor. Known for his gorgeous tone and compositional depth\, Gerhard can move a listener with a single note. Scott Alalrik of the Boston Globe said it best when he wrote ‘Gerhard does not write instrumentals. He writes songs only a guitar\ncan sing. \nGerhard’s relationship with the guitar began at age 10\, when he happened upon classical guitar master Andrés Segovia on TV. “I’d heard all the pop music on the radio and maybe a little of that 60’s folk stuff\, but this was the first time I’d ever heard the guitar all by itself and the sound just instantly got me\,” he remembers. Ed finally got his first guitar at 14. His initial interest in classical guitar changed dramatically when he heard the music of bluesman Mississippi John Hurt. He quit lessons after the third one. He took some informal lessons with friends and learned by ear\, slowing down LPs to half-speed to pick out the tricky parts. At fifteen\, Ed was already beginning to perform in local church basement coffeehouses\, playing solo and jamming with friends. \nIn 1977 Gerhard moved to New Hampshire where he has resided ever since. Joining a thriving folk and acoustic music scene proved invaluable for the young guitarist. “There seemed to be no limitation on places to play back then\, or more importantly\, what you could play” says Ed. “You could play anything you wanted as long as people stayed around and drank.” When Gerhard was not performing solo he could often be seen sitting in with other musicians. “I loved to play\, it didn’t matter if I was solo or sideman.” During this period Ed began composing and arranging music for solo guitar\, using a staggering array of alternative guitar tunings. \nBased truly on the quality of his work\, Ed built his considerable reputation\, beginning with his debut album “Night Birds” in 1987. It garnered a spot in the Boston Globe Critics Poll Top 10 Albums of the Year.” Shortly after the album’s release\, Windham Hill Records included Ed on its Guitar Sampler (Vol.1). One of the highlights of the three hundred thousand unit selling Sampler\, “The Handing Down” introduced the world to the beauty of Ed Gerhard’s music. “That one piece made me a lot of friends around the world\,” Ed says. \nEd has released his ninth CD “There and Gone.” He was awarded a GRAMMY® for his inclusion on the CD “Henry Mancini; Pink Guitar.” Warner Brothers\, MelBay and Hal Leonard have all released Ed Gerhard’s music in books. His guitar work can be heard on recordings by Arlo Guthrie\, Jorma Kaukonen\, Bill Morrissey and in the Ken Burns films “Mark Twain” and “ The National Parks: America’s Best Idea.” \nEd’s CD “Luna” is featured in Acoustic Guitar Magazine’s 20th Anniversary list of the “240 Essential Albums.” “This soulful album of original compositions rich in melody\, chordal complexity and stylistic variety proves why Gerhard is considered to have the most exquisite acoustic guitar tone on the planet.” -Acoustic Guitar Magazine \nAlong with players like Ben Harper and David Lindley\, Gerhard’s unique approach to the Weissenborn (an acoustic Hawaiian lap slide guitar) is playing a significant role in reinvigorating interest in this somewhat esoteric but beautiful instrument. Ed’s style of Weissenborn playing is unique in that he composes and arranges music for solo Weissenborn with beautiful melodies\, complex chords and moving basslines\, unusual for an instrument that normally serves an accompaniment role. Ed is featured in the book “Lap Steel Guitar” alongside legendary players like Greg Leisz\, David Lindley\, Jerry Byrd and more. \nIn a true collaboration of guitarist and guitar maker\, Breedlove Guitars released the “Ed Gerhard Signature Model” guitar. The guitar became one of Breedlove’s best selling guitars and won the “Player’s Choice Award” by Acoustic Guitar Magazine. Breedlove has released a Gerhard Weissenborn copy in collaboration with Gerhard. Here they have combined traditional design with innovative features and contemporary wood combinations. \nEd tours in the US\, Canada\, Europe\, Japan\, China and Korea.
URL:https://crosstownconcourse.com/event/ed-gerhard/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Ed-Gerhard_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220519T193000
DTEND;TZID=Europe/London:20220519T210000
DTSTAMP:20260417T152139
CREATED:20220520T010121Z
LAST-MODIFIED:20220520T010121Z
UID:526-1652988600-1652994000@crosstownconcourse.com
SUMMARY:Sunken Cages: Digital Folk Music
DESCRIPTION:Crosstown Arts presents Sunken Cages\, the moniker of drummer/electronic music producer Ravish Momin\, in The Green Room. \nTICKETS: $15 plus fees Doors at 7 pm | Show at 7:30 pm \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nSunken Cages is the moniker of drummer/electronic music producer Ravish Momin\, who started out as an acoustic drummer and percussionist a couple of decades ago. He has worked as a sideman with a wide array of musicians\, from pop-star Shakira to legendary avant-saxophonist Kalaparusha Maurice McIntyre (of the AACM). In addition\, he has also leads his own groups on international stages. \nAs Sunken Cages\, Momin is able to showcase his unique hybrid approach which splits the difference between live performance and production. He plays electronic and acoustic drums and triggers melodies and textures. He also layers loops while manipulating them in real-time to blur the lines between composition and improvisation. While rooted in Indian folk and Black Music traditions\, he is also influenced by the street sounds of underground dance music from Sao Paolo to Durban to Mumbai and beyond.
URL:https://crosstownconcourse.com/event/sunken-cages-digital-folk-music/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Sunken-Cages_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220515T193000
DTEND;TZID=Europe/London:20220515T213000
DTSTAMP:20260417T152139
CREATED:20220520T005853Z
LAST-MODIFIED:20220520T005853Z
UID:523-1652643000-1652650200@crosstownconcourse.com
SUMMARY:Mahogany Chamber Performances: Dazzling Duos! Crosstown Theater
DESCRIPTION:Buy Tickets Here \nCrosstown Arts presents the Mahogany Chamber Performances series finale\, featuring dazzling duo repertoire by Latin and Black composers at Crosstown Theater. Come hear the musical prowess of Memphis’ very own Adam Sadberry (flute)\, Frances Cobb (harp)\, and a rare chance to hear repertoire for two pianos featuring Artina McCain and Adrienne Park. Featuring works by Astor Piazzola\, Aldo Lopez Gavilan\, Valerie Coleman\, Carlos Salzedo\, Samuel Coleridge Taylor\, and more!\n\nThe Mahogany Chamber Performances is a series of three chamber music concerts curated by Dr. Artina McCain\, spotlighting Black and other underrepresented composers and performers.
URL:https://crosstownconcourse.com/event/mahogany-chamber-performances-dazzling-duos-crosstown-theater/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Mahogany-Chamber-Performances_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220514T193000
DTEND;TZID=Europe/London:20220514T213000
DTSTAMP:20260417T152139
CREATED:20220520T005653Z
LAST-MODIFIED:20220520T012151Z
UID:520-1652556600-1652563800@crosstownconcourse.com
SUMMARY:Makaya McCraven at Crosstown Arts
DESCRIPTION:7:30pm (door 6:30pm)\n$30; $35 day of the show\n\nCrosstown Theater\n\n\n\nMakayaMcCraven is a beat scientist. The bleeding edge drummer\, producer\, and sonic collagist is one of Chicago’s savviest cultural players and a multi-talented force whose inventive process & intuitive\, cinematic style defy categorization.\n\nCalled “a sound visionary” (jazzinchicago.org) who is “not your everyday jazz drummer”(thewordisbond.com)\, McCraven brilliantly moves between genres and pushes the boundaries of jazz and rhythm to create forms of his own.\n\nFrench-born but raised in the Pioneer Valley of Massachusetts by expatriate musician parents\, McCraven studied Jazz at the University of Massachusetts Amherst under the mentorship of jazz luminaries Archie Shepp\, Marion Brown\, and Yusef Lateef\, and eventually went on to develop his chops in Chicago’s burgeoning scene.\n\nHis breakthrough album In the Moment was released with International Anthem RecordingCo. (IARC) in 2015 and subsequently hailed by Turntable Lab as “one of the most important recordings to date in the modern Jazz world.” In The Moment was a dramatic statement byMcCraven\, where he debuted a unique brand of “organic beat music” that quickly launched him into the vanguard of not only Internationally-known jazz artists\, but also a niche genre of next-wave composer-producers blurring the boundaries of jazz & electronic music.\n\nHis recent album releases\, the DJ-style mixtape Highly Rare (IARC\, 2017) as well as an internationally recorded Where We Come From (CHICAGOxLONDON Mixtape) (IARC\, 2018)have been well received by music affectionados all over the world.“ Makaya McCraven is a Chicago staple\, owing some of his rise to the city’s fervent jazz community\, but with Where We Come From\, McCraven and his band have transcended locale. Jazz belongs to the world\, it exists wherever we come from.” (Will Schube\, Passion of the Weiss)\n\nMcCraven has shared stages with artists such as Corey Wilkes\, Bobby (Baabe) Irving (MilesDavis)\, Ari Brown\, and Bernie Worrell and played in some of the world’s best clubs\, festivals and arenas. Yet despite the accolades and fervent touring\, McCraven’s focus remains on both creating music and moving the culture forward.\n\n“As a person of mixed race\, nationality\, and ethnicity I want my identity and contributions to paint a world not bound by genre\, race or national boundaries but unified through alove of music culture and community. Tethered by legacies of the past but looking towards a new\, more universal future.”\n\n\n\n\n\nMakaya McCraven continues the development of his “organic beat music” as well as the work of (what Schube described as) “transcending locale” on his most recent releaseUniversal Beings. A 2xLP album that was recorded at 4 sessions in New York\, Chicago\,London & Los Angeles\, Universal Beings features an A-list of “new” jazz players from those hotbed cities: Brandee Younger\, Tomeka Reid\, Dezron Douglas\, Joel Ross\, Shabaka Hutchings\, Junius Paul\, Nubya Garcia\, Daniel Casimir\, Ashley Henry\, Josh Johnson\, Jeff Parker\, Anna Butters\, Carlos Niño and Miguel-Atwood Ferguson.\n\nwww.MakayaMcCraven.com
URL:https://crosstownconcourse.com/event/makaya-mccraven-at-crosstown-arts/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Makaya-McCraven_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220512T193000
DTEND;TZID=Europe/London:20220512T213000
DTSTAMP:20260417T152139
CREATED:20220520T005500Z
LAST-MODIFIED:20220520T005500Z
UID:517-1652383800-1652391000@crosstownconcourse.com
SUMMARY:Amber Rae Dunn and the Mulberries
DESCRIPTION:Buy Tickets Here \nCrosstown Arts presents singer/songwriter Amber Rae Dunn in the Green Room.\n\nNominated for both Female Vocalist of the Year and Entertainer of the Year for three years in a row by the Tennessee Music Awards Amber Rae Dunn and her band “Amber Rae Dunn and the Mulberries” have an infectious way of captivating their audiences and making them feel like part of the show. Since the release of her first original album “Arkansas Line” in 2017 recorded with two-time Grammy award winning producer Mark Goodman & Andrew Cabigao at MGP The Studio featuring Rex Wiseman of the Oak Ridge Boys amongst others\, Dunn has performed fearlessly on every stage she’s set foot on. After winning NASH Next Top Regional artist for the Mid-South last year Jessica Northey a digital consultant with Finger Candy Media and one of Forbes Top 50 Power Influencer’s said\, “I love how Pure Country [she is]. It’s one of the biggest things missing in country music these days. The country part!” She’s opened for big name country acts such as Gary Allen\, Radio Romance\, Jordan Davis\, and the Rhodes Show. Through these experiences she’s learning more and more each day about the demand this industry can have\, but if anyone is up for the challenge it’s Amber. She’s currently held title as Memphis Songwriters Associations Vice President for two years and Co-Hosts a songwriter showcase in Memphis each week called “Meet Me in Memphis” at South Main Sounds while working part-time as a visiting teacher with the Delta Arts since graduating Memphis College of art back in 2012 with a degree in Sculpture. Her latest releases are being recorded through Sound Kitchen Studios in Nashville by former White Heart guitarist and five-time Dove award winning producer\, Billy Smiley. When asked why she moved from Nashville to pursue her music in Memphis she says “for one I feel more creative here\, these are MY people and two\, well who’s the King of Memphis Blues? B.B. King. Who’s the king of Memphis Rock n’ Roll? Elvis Presley. Now who’s the queen of Memphis country? …Amber Rae Dunn!” and that’s exactly who she plans to be!
URL:https://crosstownconcourse.com/event/amber-rae-dunn-and-the-mulberries/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Amber-Rae-Dunn_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220511T193000
DTEND;TZID=Europe/London:20220511T213000
DTSTAMP:20260417T152139
CREATED:20220520T005259Z
LAST-MODIFIED:20220520T005259Z
UID:514-1652297400-1652304600@crosstownconcourse.com
SUMMARY:Ambient Chaos: Out of Space Series
DESCRIPTION:Buy Tickets Here \nPas Musique\n\nPas Musique emerged from Brooklyn\, New York in 1995 as a solo project of founder Robert L. Pepper and has since gone through many variations of experimental\, electronic iterations. In 2018\, Pas Musique remain as a four piece consisting of Jon V Worthley\, Michael Durek\, Jesse Fairbairn\, and Robert Pepper\, pursuing the musical elements of electronic\, experimental music with krautrock undertones. Pas Musique have collaborated with many great musicians which include Faust\, Rapoon\, ZEV\, Philippe Petit\, HATI\, Chester Hawkins\, Jim Tuite\, and many more. Pas Musique have performed in 18 countries and all throughout the United States.\nwww.pasmusique.net\n\nRobert Traxler\n\nRobert Traxler makes music sometimes and sometimes runs the Memphis Concrète experimental music festival.\nhttps://traxtronix.bandcamp.com/\n\nSci Fi Industries\n\nSci-Fi Industries is Luis van Seixas\, an electronic music project\, where only hardware machines are involved in the production process (No computers).\nThe musical influences lay on electro-industrial and Goth rock from the 80s and SFI’s sound could be defined as a personal blend of dark ambient\, cutting edge drum programming with an ethnical flavor.\nProfessionally Luis van Seixas is art conservator of sculpture and gilded and polychrome objects.\n\nhttps://scifiindustries.bandcamp.com/\n\nColour Sound Oblivion\n\nColour Sound Oblivion is Kiefer Gorena\, a musican from the American south who loves strange\, innovative music just as much as regular\, safe music. He has created 10 primary DIY albums in various styles\, reflecting his eclectic tastes\, using whatever amateur or professional tools at his disposal. This includes a best-of compilation called Ignorant Wonderland on Thisco Records. Lately\, he has focused on standard singer/songwriter guitar fare. \nhttps://coloursoundoblivion.bandcamp.com/
URL:https://crosstownconcourse.com/event/ambient-chaos-out-of-space-series/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Ambient-Chaos_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220510T193000
DTEND;TZID=Europe/London:20220510T213000
DTSTAMP:20260417T152139
CREATED:20220520T004909Z
LAST-MODIFIED:20220520T004909Z
UID:510-1652211000-1652218200@crosstownconcourse.com
SUMMARY:Roseanna Vitro at Crosstown Arts
DESCRIPTION:Born Roseanna Elizabeth Vitro in Hot Springs\, Arkansas\, on February 28\, 1951\, Vitro began singing at an early age\, drawing inspiration from gospel\, rock\, rhythm and blues\, musical theatre\, and classical music. During the 1950s\, her father owned a night club in Hot Springs called The Flamingo. He loved Dean Martin‘s music and opera\, and her mother’s family sang gospel. By the 1960s\, she was determined to be a rock singer. \nVitro was exposed to jazz and it became her genre of choice after moving to Houston\, Texas in the 1970s. Ray Sullenger discovered Vitro and presented her to the Houston jazz community where she sang frequently with Arnett Cobb. She worked for two years at the Green Room in Houston with her group Roseanna with Strings and Things and hosted a radio show on KUHF-FM. The band performed with Oscar Peterson\, Bill Evans\, Tommy Flanagan\, and Keter Betts. Cobb\, Peterson\, and Sullenger encouraged her to dedicate herself to jazz. \nIn 1978\, she moved to New York City with guitarist Scott Hardy and began to study with Gabor Carelli\, a professor from the Manhattan School of Music\, and began to perform with Kenny Werner and Fred Hersch. She sang with Lionel Hampton and toured with him. She appeared at The Blue Note\, Iridium\, Birdland\, and Dizzy’s Jazz Club at Lincoln Center. She appeared with Steve Allen at The Town Hall at The Apollo Theater and recorded an album of Allen’s songs. In 2005 she performed and recorded with the Kenny Werner Trio at the John F. Kennedy Center in Washington D.C. \nShe has worked with Kenny Barron\, Christian McBride\, Elvin Jones\, Gary Bartz\, Kevin Mahogany\, and David “Fathead” Newman\, all of whom have appeared on her recordings. She was a guest on Marian McPartland’s radio program Piano Jazz. Her album The Music of Randy Newman received 4 1/2 stars in Down Beat magazine and a Grammy nomination for Best Jazz Vocal Album in 2012. \nVitro taught vocal jazz at the State University of New York at Purchase and retired in 2017 as Vocal Jazz Chair at New Jersey City University and New Jersey Performing Arts Center. She holds workshops\, concerts\, and master classes. She has studied classical voice\, ear-training\, classical Indian vocal technique\, Portuguese\, piano\, and jazz technique and concept. \n\nTickets Buy Tickets Here \nhttps://roseannavitrojazz.squarespace.com/media
URL:https://crosstownconcourse.com/event/roseanna-vitro-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Roseanna-Vitro_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220507T193000
DTEND;TZID=Europe/London:20220507T213000
DTSTAMP:20260417T152139
CREATED:20220520T004431Z
LAST-MODIFIED:20220520T004431Z
UID:507-1651951800-1651959000@crosstownconcourse.com
SUMMARY:Nate Smith + KINFOLK
DESCRIPTION:Doors 6:30pm | Show 7:30pm\nTickets: $35; day of show $40\nBuy Tickets Here\n\n“On drums\, Nate Smith is in the business of inspiring. Far from flashy\, he’s an ebullient technician who keys into the subtleties of his bandmates’ playing and laces joie de vivre into his own.” – New York Times\n\n\n2x GRAMMY® Award-nominated drummer/composer/producer Nate Smith has announced the release of his inspired new album\, Kinfolk 2: See The Birds. The highly anticipated follow up to 2017’s GRAMMY® Award-nominated Kinfolk: Postcards From Everywhere arrives via Edition Records on Friday\, September 17; pre-orders are available now.\n\n\n\n\n\nTo herald the release of Kinfolk 2: See The Birds\, Smith is sharing the album’s first single\, the hip-hop centric “Square Wheel\,” which finds Smith juggling odd-meter beats in unison with rapper Kokayi’s intrepid rhythmic cadence along side singer Michael Mayo’s impassioned vocals as well as Brad Allen on guitar\, bassist Fima Ephron\, saxophonist Jaleel Shaw and Jon Cowherd on keys. A companion music video filmed in the recording studio is streaming on YouTube now.\n\n\n\n\n\nKinfolk 2: See the Birds affirms Nate Smith as one of the most dynamic drummers\, insightful composers\, and engaging bandleaders of his generation\, adept across infinite genres and multiple styles. The album sees Smith joined by an array of diverse fellow artists\, including singers Brittany Howard\, Amma Whatt\, legendary guitarist Vernon Reid\, violinist Regina Carter\, vibraphonist Joel Ross\, rapper Kokayi\, and\, Michael Mayo\, and Stokley Williams (of the pioneering R&B band Mint Condition).\n\n\n\n\n\nKinfolk 2: See the Birds marks the second installment in a remarkable trilogy charting Smith’s continuing evolution as a musician and composer. While Kinfolk: Postcards From Everywhere touched upon Smith’s childhood in Chesapeake\, VA\, and the sounds that he absorbed in his family home\, the new album offers an impressionistic portrait of the artist as a young man considering his future in music. Those years saw Smith inspired by the diverse and eclectic riches of Prince and Michael Jackson\, hip-hop and the emerging neo-soul movement\, as well as music associated with the groundbreaking Black Rock Coalition such as Living Colour (whose trailblazing founder\, Vernon Reid\, appears on the new album’s menacing “Rambo”).\n\n\n\n\n\nHowever\, Kinfolk 2 is no throwback – Smith reconciles his teenaged influences with the modern jazz sensibilities that he’s demonstrated with not just his solo material but as a sideman with such jazz titans as guitarist Pat Metheny\, bassist Dave Holland\, and saxophonists Ravi Coltrane and Chris Potter. Recorded mostly in two band sessions – June 2019 at Sear Sound in New York City and February 2020 at the Bunker Studio in Brooklyn – the album projects a dreamy\, cinematic sensibility as the music ebbs and flows from wistful downtempo excursions to rugged hip-hop beats\, hypnotic alt-rock leaning tunes to amorous laments. Kinfolk 2 boasts a slightly different lineup for its core ensemble than its predecessor. Saxophonist Jaleel Shaw and bassist Fima Ephron return\, while Smith welcomes guitarist Brad Allen Williams and keyboardist Jon Cowherd to the combo.\n\n\nNate Smith – drums\nJon Cowherd – piano\nFima Ephron – bass\nJaleel Shaw – alto & soprano saxophones\nAmma Whatt – vocals\nBrad Allen Williams – guitar
URL:https://crosstownconcourse.com/event/nate-smith-kinfolk/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Nate-Smith-KINFOLK_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220507T110000
DTEND;TZID=Europe/London:20220507T140000
DTSTAMP:20260417T152139
CREATED:20220520T004132Z
LAST-MODIFIED:20220520T012003Z
UID:504-1651921200-1651932000@crosstownconcourse.com
SUMMARY:Puppy Palooza 2022!
DESCRIPTION:Mark your calendars for Saturday\, May 7th. \nPuppypalooza is back\, and better than ever!\n–\nDogs (and their human companions) are invited to Puppypalooza at the South Plaza. Free and open to the public.\n–\nWhat to expect!\nDJ DOG COSTUME CONTEST with PRIZES\nCARICATURE DRAWINGS\nDOG ADOPTIONS BY LOCAL RESCUE ORGANIZATIONS\nBLESSING OF THE ANIMALS BY CHURCH HEALTH\nDAWG TEAM APPAREL\nBALLOON ANIMALS\nDOG PORTRAITS\nSPAY MEMPHIS\nDOG NAIL CLIPPING SERVICE by AUSSIE DOG MOBILE\nDOG TRAINERS\nBREWBAKERS BARKERY\nAMURICA PHOTO BOOTH\nDOG TALE STORYTIME and PERFORMANCE by MOTH MOTH\n–\nIt’s going to be a barking good time- 11am-2pm!
URL:https://crosstownconcourse.com/event/puppy-palooza-2022/
LOCATION:TN
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Puppy-Palooza-2022_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220506T193000
DTEND;TZID=Europe/London:20220506T213000
DTSTAMP:20260417T152139
CREATED:20220520T003748Z
LAST-MODIFIED:20220520T003748Z
UID:501-1651865400-1651872600@crosstownconcourse.com
SUMMARY:Rachel Maxann with Louise Page
DESCRIPTION:Crosstown Arts presents Rachel Maxann in the Green Room with an opening performance by Louise Page.\n\nRachel Maxann is a performer who loves to bend genres with her style. In the last decade she has moved from Cincinnati\, New Orleans\, Los Angeles and travelled around the world performing. Each new space has allowed her to grow while experimenting with different styles of the culture. Rachel has been happy to create roots in Memphis and to share her love of Vintage Indie-Rock and Post-Modern Folklore music.\n\nBuy Tickets Here: https://crosstownarts.org/calendar/rachel-maxann-with-louise-page/
URL:https://crosstownconcourse.com/event/rachel-maxann-with-louise-page/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Rachel-Maxann_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220503T193000
DTEND;TZID=Europe/London:20220503T210000
DTSTAMP:20260417T152139
CREATED:20220520T003431Z
LAST-MODIFIED:20220520T003431Z
UID:498-1651606200-1651611600@crosstownconcourse.com
SUMMARY:Metamorphosis: Third Coast Percussion + choreography by Movement Art Is
DESCRIPTION:Crosstown Arts presents Metamorphosis featuring Third Coast Percussion and choreography by Movement Art Is (Lil Buck and Jon Boogz). \n\n\n\n\n\n\n\n\nTICKETS: $25-$40 advance\n** all ticket prices increase by $5 at the door\n** student tickets are available for $10 at the door with student ID \nDoors at 7:00 pm | Performance at 7:30 pm \nThird Coast Percussion joins forces with the groundbreaking choreography of Movement Art Is for an intimate\, evening-length program that explores the duality of human nature. At once intensely personal and fiercely virtuosic\, two disparate styles of street dance blend seamlessly with new music by Jlin and Tyondai Braxton\, as well as Third Coast Percussion’s critically-acclaimed arrangements of Philip Glass’s Aguas da Amazonia. \nThis performance is made possible in part by an Arts Build Communities grant from Arts Memphis and the Tennessee Arts Commission with additional support from Concerts International. \nAbout Third Coast Percussion: \nThird Coast Percussion is a Grammy Award-winning Chicago-based percussion quartet. For over fifteen years\, the ensemble has created exciting and unexpected performances that constantly redefine the classical music experience. The ensemble has been praised for “commandingly elegant” (New York Times) performances\, the “rare power” (Washington Post) of their recordings\, and “an inspirational sense of fun and curiosity” (Minnesota Star-Tribune). Third Coast Percussion maintains a busy tour schedule\, with past performances in 38 of the 50 states and Washington\, D.C.\, plus international tour dates in Canada\, Colombia\, Hong Kong\, Germany\, Italy\, Lithuania\, the Netherlands\, Poland\, Taiwan\, and the United Kingdom. \nA direct connection with the audience is at the core of all of Third Coast Percussion’s work\, whether the musicians are speaking from the stage about a new piece of music\, inviting the audience to play along in a concert or educational performance\, or inviting their fans around the world to create new music using one of their free mobile apps. The four members of Third Coast are also accomplished teachers\, and make active participation by all students the cornerstone of all their educational offerings. The quartet’s curiosity and eclectic taste have led to a series of unlikely collaborations that have produced exciting new art. The ensemble has worked with engineers at the University of Notre Dame\, architects at the Frank Lloyd Wright Foundation\, dancers at Hubbard Street Dance Chicago\, and musicians from traditions ranging from the mbira music of Zimbabwe’s Shona people\, to indie rockers and footwork producers\, to some of the world’s leading concert musicians. Third Coast Percussion served as ensemble-in-residence at the University of Notre Dame’s DeBartolo Performing Arts Center from 2013-2018\, and currently serves as ensemble-in-residence at Denison University. \nThe four members of Third Coast Percussion (Sean Connors\, Robert Dillon\, Peter Martin\, and David Skidmore) met while studying percussion music at Northwestern University with Michael Burritt and James Ross. Members of Third Coast also hold degrees from the Eastman School of Music\, Rutgers University\, the New England Conservatory\, and the Yale School of Music. \nAbout Movement Art Is: \nCofounded by Jon Boogz and Lil Buck\, MAI (Movement Art Is) is an organization that uses movement artistry to inspire and change the world\, while elevating the artistic\, educational\, and social impact of dance. Through movement art films\, workshops\, performances\, and exhibitions\, MAI is resetting the spectrum of what dance is.
URL:https://crosstownconcourse.com/event/metamorphosis-third-coast-percussion-choreography-by-movement-art-is/
LOCATION:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Metamorphosis_Scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220501T193000
DTEND;TZID=Europe/London:20220501T213000
DTSTAMP:20260417T152139
CREATED:20220520T003112Z
LAST-MODIFIED:20220520T003112Z
UID:487-1651433400-1651440600@crosstownconcourse.com
SUMMARY:Memphis Jazz Orchestra at Crosstown Arts
DESCRIPTION:The Memphis Jazz Orchestra was founded in October\, 1992 at Joyce Cobb’s night club on historic Beale Street. Since 1997 The MJO has been in residence at Alfred’s on Beale Street. \n  \nThe M.J.O. has distinguished itself in a series of concerts featuring such national jazz artists as guitarist Herb Ellis\, trumpeter Marvin Stamm and pianist James Williams. \n  \nA powerful and disciplined ensemble with virtuosic soloists and a command of many styles makes a concert by the Memphis Jazz Orchestra a truly memorable event.
URL:https://crosstownconcourse.com/event/memphis-jazz-orchestra-at-crosstown-arts/
LOCATION:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownconcourse.com/wp-content/uploads/2022/05/Memphis-Jazz-Orchestra-at-Crosstown-Arts_Scaled.jpg
END:VEVENT
END:VCALENDAR